William Corbett-Jones - Bach, J.S.: Piano Music (2006)

  • 27 Jan, 14:59
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Artist:
Title: Bach, J.S.: Piano Music
Year Of Release: 2006
Label: Cambria
Genre: Classical
Quality: FLAC (tracks)
Total Time: 2:03:01
Total Size: 509 MB
WebSite:

Tracklist:

DISC 1
01. Prelude in E Minor, BWV 855a (Arr. A. Siloti)
02. I. Overture
03. II. Courante
04. III. Gavotte I-II
05. IV. Passepied I-II
06. V. Sarabande
07. VI. Bouree I-II
08. X. Gigue
09. XI. Echo
10. Sheep May Safely Graze (Arr. E. Petri)
11. Wachet auf, ruft uns die Stimme, BWV 645 (Arr. F. Busoni)
12. I. Allemande
13. II. Courante
14. III. Sarabande
15. IV. Gavotte
16. V. Bourree
17. VI. Loure
18. VII. Gigue

DISC 2
01. (Presto) - Allegro
02. Adagio
03. Fugue
04. Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. F. Busoni)
05. I. (Allegro)
06. II. Andante
07. III. Presto
08. Bach - Violin Sonata No. 3 in A Minor, BWV 1003: III. Aria. Andante - Molto espressivo e cantabile
09. I. Allemande
10. II. Courante
11. III. Sarabande
12. IV. Gavotte
13. V. Menuet
14. VI. Air
15. VII. Gigue
16. Es ist gewisslich an der Zeit, BWV 307 - Nun freut euch, BWV 734 (Arr. W. Kempff)
17. II. Siciliano (Arr. W. Kempff)
18. Fantasia
19. Choral. Jesu bleibet meine Freude (Jesus, joy of man's desiring) [arr. M. Hess]

In the liner notes to this two-disc collection of Bach keyboard works, pianist William Corbett-Jones makes reference to the fact that many of the pieces were written for clavichord or harpsichord and intended for intimate performances in small rooms. Yet the sound quality produced on this recording is not indicative of that assertion. While Corbett-Jones performs on a modern piano and not one of its aforementioned predecessors, it should still be possible to achieve the same intimacy of sound. Instead, there is a hefty amount of reverberation that gives the listener the impression of being in a large concert hall rather than a small venue. Apart from issues of sound quality, Corbett-Jones's performance is quite enjoyable as his selection of works encompassing original keyboard works and transcriptions. His pacing is refined and dignified and -- except for times when reverb dulls articulation -- his touch is quite graceful; voicing and balance in the chorales is clear and well-executed. Though this CD is unlikely to replace a recording by Schiff or Gould, this album could still serve as an acceptable introduction to Bach's keyboard works on a modern instrument, though listeners may prefer to skip right to an alternative with superior sound quality.


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