Fernando Palomeque, Clara Barbier-Serrano and Ensemble Écoute - Souffles I - Anima (Live) (2026) [Hi-Res]

  • 13 Feb, 05:15
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Artist:
Title: Souffles I - Anima (Live)
Year Of Release: 2026
Label: b·records
Genre: Classical
Quality: FLAC (tracks + booklet) [96kHz/24bit]
Total Time: 1:09:24
Total Size: 1.16 GB / 275 MB
WebSite:

Tracklist:

1. Anima: I. Ave Shakti (Live) (02:28)
2. Anima: II. Parvati, me entrego (Live) (01:05)
3. Anima: III. La realidad de Maya (Live) (03:30)
4. Anima: IV. La Luz de Sophia (Live) (02:52)
5. Anima: V. Interludio místico - Corazón del silencio (Live) (01:45)
6. Anima: VI. Parvati, libérame (Live) (01:26)
7. Anima: VII. Anima eterna (Live) (03:12)
8. Anima: VIII. Parvati, brillas (Live) (02:52)
9. Las noches de las Piedras: I. Rituale (Live) (02:08)
10. Las noches de las Piedras: II. Luminoso, potente (Live) (06:12)
11. Las noches de las Piedras: III. Come un sogno, rubato, irregolare (Live) (05:42)
12. Las noches de las Piedras: IV. Flessibile, poco rapsodico (Live) (04:17)
13. Ocho escenas: I. Luminoso, flessibile (Live) (01:07)
14. Ocho escenas: II. Devoto (Live) (01:41)
15. Ocho escenas: III. Energico, vigoroso (Live) (00:46)
16. Ocho escenas: IV. Giga mistica (Live) (01:01)
17. Ocho escenas: V. Austero, come un canto degli antenati (Live) (01:55)
18. Ocho escenas: VI. Sognando, poco rubato (Live) (01:59)
19. Ocho escenas: VII. Austero, profondo (Live) (04:23)
20. Ocho escenas: VIII. Quasi patetico, teatrale (Live) (02:08)
21. A Subtle Chain: I. Brahma (Live) (03:10)
22. A Subtle Chain: II. Music I (Live) (02:02)
23. A Subtle Chain: III. Nature (Live) (02:53)
24. A Subtle Chain: IV. Music II (Live) (01:35)
25. A Subtle Chain: V. Hymn / The Bell (Live) (07:01)

Around a concert at the Singer-Polignac Foundation, the Ensemble Écoute celebrates ten years of creativity with a first monographic album devoted to the music of Alex Nante. Inaugurating a new b·records collection, this disc traces, between lyricism and spirituality, the evolution of a unique musical language carried by the long-standing complicity between the composer and the ensemble, through several chamber music formations reflecting the diversity and richness of his writing.