Davide Trivella, Daniele Trivella - Reger: Original Compositions for piano 4-hands (2026) [Hi-Res]

Tracklist

01. 12 Walzercapricen, Op. 9 (1892): I. Allegro
02. 12 Walzercapricen, Op. 9 (1892): II. Presto
03. 12 Walzercapricen, Op. 9 (1892): III. Andante (Con passione)
04. 12 Walzercapricen, Op. 9 (1892): IV. Lento impetuoso
05. 12 Walzercapricen, Op. 9 (1892): V. Allegro moderato (Quasi Andantino)
06. 12 Walzercapricen, Op. 9 (1892): Vi. Prestissimo
07. 12 Walzercapricen, Op. 9 (1892): VII. Moderato
08. 12 Walzercapricen, Op. 9 (1892): VIII. Allegro non tanto
09. 12 Walzercapricen, Op. 9 (1892): IX. Andantino
10. 12 Walzercapricen, Op. 9 (1892): X. Vivace
11. 12 Walzercapricen, Op. 9 (1892): XI. Allegro scherzando
12. 12 Walzercapricen, Op. 9 (1892): XII. Allegro impetuoso
13. 20 Deutsche Tänze, Op. 10 (1893): I. Allegretto
14. 20 Deutsche Tänze, Op. 10 (1893): II.
15. 20 Deutsche Tänze, Op. 10 (1893): III. Innocente
16. 20 Deutsche Tänze, Op. 10 (1893): IV.
17. 20 Deutsche Tänze, Op. 10 (1893): V. Con anima ed scherzando
18. 20 Deutsche Tänze, Op. 10 (1893): Vi. Allegro
19. 20 Deutsche Tänze, Op. 10 (1893): VII. Cantabile
20. 20 Deutsche Tänze, Op. 10 (1893): VIII. Appassionato
21. 20 Deutsche Tänze, Op. 10 (1893): IX. Allegretto
22. 20 Deutsche Tänze, Op. 10 (1893): X. Grazioso. Andantino
23. 20 Deutsche Tänze, Op. 10 (1893): XI. Impetuoso
24. 20 Deutsche Tänze, Op. 10 (1893): XII. Allegretto
25. 20 Deutsche Tänze, Op. 10 (1893): XIII. Andantino ma non troppo
26. 20 Deutsche Tänze, Op. 10 (1893): XIV. Innocente
27. 20 Deutsche Tänze, Op. 10 (1893): XV. Scherzando
28. 20 Deutsche Tänze, Op. 10 (1893): XVI. Appassionato (Non Allegro)
29. 20 Deutsche Tänze, Op. 10 (1893): XVII. Andantino
30. 20 Deutsche Tänze, Op. 10 (1893): XVIII. Presto
31. 20 Deutsche Tänze, Op. 10 (1893): XIX. Giocoso
32. 20 Deutsche Tänze, Op. 10 (1893): XX. Con bravura
33. 6 Walzer, Op. 22 (1898): I. Allegro
34. 6 Walzer, Op. 22 (1898): II. Più vivace
35. 6 Walzer, Op. 22 (1898): III. Allegretto
36. 6 Walzer, Op. 22 (1898): IV. Moderato (Quasi Andantino)
37. 6 Walzer, Op. 22 (1898): V. Vivace
38. 6 Walzer, Op. 22 (1898): Vi. Allegro vivace
39. 5 Pièces pittoresques, Op. 34 (1899): I. Allegretto con moto
40. 5 Pièces pittoresques, Op. 34 (1899): II. Prestissimo
41. 5 Pièces pittoresques, Op. 34 (1899): III. Vivace assai
42. 5 Pièces pittoresques, Op. 34 (1899): IV. Andantino (Con moto)
43. 5 Pièces pittoresques, Op. 34 (1899): V. Con moto (Vivace)
44. 6 Burlesken, Op. 58 (1901): I. Äußerst lebhaft
45. 6 Burlesken, Op. 58 (1901): II. Sehr schnell und eigensinnig
46. 6 Burlesken, Op. 58 (1901): III. Äußerst lebhaft, mit Humor
47. 6 Burlesken, Op. 58 (1901): IV. Schnell und grotesk
48. 6 Burlesken, Op. 58 (1901): V. Äußerst schnell und flüchtig
49. 6 Burlesken, Op. 58 (1901): Vi. So lebhaft und übermütig als nur möglich
50. 6 Stücke, Op. 94 (1906): I. Andante sostenuto
51. 6 Stücke, Op. 94 (1906): II. Andante con moto
52. 6 Stücke, Op. 94 (1906): III. Larghetto (Ma con moto)
53. 6 Stücke, Op. 94 (1906): IV. Vivace (Ma non troppo)
54. 6 Stücke, Op. 94 (1906): V. Andante (Quasi Larghetto)
55. 6 Stücke, Op. 94 (1906): Vi. Sostenuto (Quasi andante mesto)

Max Reger (1873-1916) was a German composer, pianist, and conductor whose music bridged the late Romantic and early modern eras. Deeply influenced by J.S. Bach, Beethoven, and Brahms, Reger was known for his contrapuntal mastery and harmonic richness. Though his reputation has often rested on his organ and chamber music, his output for piano four-hands offers a revealing glimpse into his compositional personality - both his intellectual rigor and his warmth of expression.
Reger’s four-hand works display his more lyrical and accessible side. These miniatures reveal his gift for melody and his subtle harmonic colorings, offering a contrast to the density often associated with his larger compositions. Across his four-hand output, Reger uses the medium not only as a vehicle for technical exploration but also as a form of musical conversation - a dialogue between two pianists that mirrors his complex yet humanistic musical voice.
The works included are: Walzercapricen Op,9, Deutsche Tänze Op.10, 6 Walzer Op.22, Cinq pieces pittoresques Op.34, Sechs Burlesken Op.58 and 6 Stücke Op.94.
Of the Sechs Burlesken Reger himself wrote: “In order to give my ‘harmonic’ mood the freedom it deserves, I will [...] soon write Scènes burlesques pour piano à quatre mains, but I am already ‘warning’ all academies etc. about them; it will be a crazy thing, harmonically exuberant! Oh, there are still many, many ‘north and south poles in harmonics’!“.
Played by Davide and Daniele Trivella, twins brothers, internationally known as one of the most interesting piano duos and winners in Miami of the most important competition for piano duo Murray Dranoff. Their extraordinary performances have impressed juries of the most important national and international piano duet competitions.

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