L'Orfeo Barockorchester & Michi Gaigg - Rameau: Suites from "Zoroastre" & "Les indes galantes" (2026) [Hi-Res]

03 Mar, 15:10
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Artist: L'Orfeo Barockorchester, Michi Gaigg
Title: Rameau: Suites from "Zoroastre" & "Les indes galantes"
Year Of Release: 2026
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 59:28
Total Size: 337 MB / 1.21 GB
WebSite: Album Preview

Tracklist:

1. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): I. Ouverture (3:58)
2. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): II. Gavotte (Pour la suite d’Amélite) (1:23)
3. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): III. Ballet figuré: Gigue (Pour les sauvages indiens et indiennes) (1:26)
4. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): IV. Rigaudon (Pour les sauvages indiens et indiennes) (1:00)
5. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): V. Menuets I-II (Pour les sauvages indiens et indiennes) (2:31)
6. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): VI. Contredanse (Pour les mages, les sauvages indiens et indiennes) (0:51)
7. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): VII. Ouverture (Reprise) (3:56)
8. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): VIII. Entracte: Air (Entrée des mages) (2:18)
9. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): IX. Ballet figuré: Sarabande (Pour les esprits élémentaires) (1:53)
10. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): X. Gavotte en rondeau (Pour les esprits élémentaires) (1:33)
11. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XI. Loure (Pour les esprits élémentaires) (2:26)
12. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XII. Passepieds I-II (Pour les esprits élémentaires) (2:16)
13. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XIII. Ballet figuré: Air (Pour la Haine et le Désespoir) (2:18)
14. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XIV. Air (Pour les démons) (1:47)
15. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XV. Air I (Pour les esprits élémentaires) (2:49)
16. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XVI. Air II en rondeau (Pour les esprits élémentaires) (1:46)
17. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XVII. Ballet figuré: Entrée des bergers et bergères, des castres et pastourelles (3:07)
18. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XVIII. Air en rondeau (Pour les esprits élémentaires, les bergers et bergères, les castres et pastourelles) (0:47)
19. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XIX. Gavottes I-II (Pour les bergers et bergères, les castres et pastourelles) (2:09)
20. Rameau: Suite from "Zoroastre, RCT 62" (1749 Version): XX. Contredanse (Reprise) (0:56)
21. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): I. Ouverture (4:33)
22. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): II. Tambourins I-II (2:44)
23. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): III. Air pour les esclaves africains (1:23)
24. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): IV. Air pour les esclaves africains (2:18)
25. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): V. Musette en rondeau (2:45)
26. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): VI. Rigaudons I-II (Pour les matelots provençaux etmMatelotes provençales) (1:22)
27. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): VII. Danse du grand calumet de la paix en rondeau pour les sauvages (2:02)
28. Rameau: Suite from "Les indes galantes, RCT 44" (1736 Version): VIII. Tambourins I-II (Reprise) (1:23)

Jean-Philippe Rameau was one of the most important luminaries of the 18th century as a composer and theorist, although he kept his compositional and scholarly activities so carefully separate that his pieces show no trace of the considerations of this “sonic scholar”. The subject matter of his stage works is something else entirely. Les Indes galantes, for example, draws on the latest ethnological explorations of Asia and America, while the grand opera Zoroastre is based on research into the Persian religious founder Zarathustra, who after considerable trials wins the hand of his beloved and the throne of Bactria. One of the most surprising aspects of this fantastic production is how effectively yet discreetly these exotic subjects were incorporated into the established dance forms of the Baroque period, and that Rameau was even able to stage a Native American rain dance.

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Rameau Suites from Zoroastre & Les indes galantes FLAC.rar - 337.8 MB
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