James Baillieu & Lise Davidsen - Live at the Met (2026) [Hi-Res]
Artist: James Baillieu, Lise Davidsen
Title: Live at the Met (Live at Metropolitan Opera, New York, 2023)
Year Of Release: 2026
Label: Decca Music Group Ltd.
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 53:01
Total Size: 216 / 509 MB
WebSite: Album Preview
Tracklist:Title: Live at the Met (Live at Metropolitan Opera, New York, 2023)
Year Of Release: 2026
Label: Decca Music Group Ltd.
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 53:01
Total Size: 216 / 509 MB
WebSite: Album Preview
1. Puccini: Tosca: Vissi d'arte (Piano Reduction) (Live at Metropolitan Opera, New York, 2023) (3:41)
2. Verdi: Un ballo in maschera: Morrò, ma prima in grazia (Live at Metropolitan Opera, New York, 2023) (4:32)
3. R. Strauss: 8 Lieder aus Letzte Blätter, Op. 10: No. 1, Zueignung (Live at Metropolitan Opera, New York, 2023) (1:23)
4. R. Strauss: 8 Lieder aus Letzte Blätter, Op. 10: No. 8, Allerseelen (Live at Metropolitan Opera, New York, 2023) (2:48)
5. R. Strauss: 5 Lieder, Op. 39: No. 4, Befreit (Live at Metropolitan Opera, New York, 2023) (4:57)
6. R. Strauss: 4 Lieder, Op. 27: No. 4, Morgen! (Live at Metropolitan Opera, New York, 2023) (4:03)
7. Schubert: An die Musik, D. 547 (Live at Metropolitan Opera, New York, 2023) (2:32)
8. Schubert: Gretchen am Spinnrade, D. 118 (Live at Metropolitan Opera, New York, 2023) (3:15)
9. Schubert: Litanei auf das Fest Allerseelen, D. 343 (Live at Metropolitan Opera, New York, 2023) (5:06)
10. Sibelius: 5 Songs, Op. 37: No. 1, Den första kyssen (Live at Metropolitan Opera, New York, 2023) (1:31)
11. Sibelius: 5 Songs, Op. 37: No. 4, Var det en dröm (Live at Metropolitan Opera, New York, 2023) (1:43)
12. Sibelius: 5 Songs, Op. 37: No. 5, Flickan kom ifrån sin älsklings möte (Live at Metropolitan Opera, New York, 2023) (2:23)
13. Sibelius: 6 Songs, Op. 36: No. 1, Svarta rosor (Live at Metropolitan Opera, New York, 2023) (1:54)
14. Kálmán: Die Csárdásfürstin: Heia, heia, in den Bergen ist mein Heimatland (Piano Reduction) (Live at Metropolitan Opera, New York, 2023) (3:00)
15. F. Loewe: My Fair Lady: I Could Have Danced All Night (Piano Reduction) (Live at Metropolitan Opera, New York, 2023) (2:15)
16. Wagner: Tannhäuser, WWV 70: Dich, teure Halle, grüss ich wieder "Elisabeth's Greeting" (Piano Reduction) (Live at Metropolitan Opera, New York, 2023) (3:23)
17. Grieg: 12 Songs, Op. 33: No. 2, Våren (Live at Metropolitan Opera, New York, 2023) (4:44)
On September 14th, 2023, Lise Davidsen became one of the youngest-ever singers invited to give a solo recital at the MET, a house with which she has a very special relationship.
With pianist James Baillieu, Lise performed a programme including highlights from her Met roles, as well as a variety of song literature, plus some lighter pieces from the world of operetta and musical theater.
Peter Gelb (General Manager of the Metropolitan Opera] believes Lise Davidsen is “the greatest Wagnerian talent since Birgit Nilsson and Kirsten Flagstad. Her voice in the Met’s luxurious acoustics sounds extraordinary, with incredible beauty but amazing power.” It deeply impressed Gelb that Davidsen was “capable of wrapping her voice around the nuanced subtlety of Grieg, Sibelius, Schubert and Strauss,” but also that she could “explode with power in ‘Dich, teure Halle.’” He also greatly admired Davidsen’s “extremely elegant and composed stage presence.” Although still in her thirties, “she’s the consummate artist.”
The album is released to coincide with her MET debut as Isolde, one of the most eagerly anticipated operatic debuts of the decade.
With pianist James Baillieu, Lise performed a programme including highlights from her Met roles, as well as a variety of song literature, plus some lighter pieces from the world of operetta and musical theater.
Peter Gelb (General Manager of the Metropolitan Opera] believes Lise Davidsen is “the greatest Wagnerian talent since Birgit Nilsson and Kirsten Flagstad. Her voice in the Met’s luxurious acoustics sounds extraordinary, with incredible beauty but amazing power.” It deeply impressed Gelb that Davidsen was “capable of wrapping her voice around the nuanced subtlety of Grieg, Sibelius, Schubert and Strauss,” but also that she could “explode with power in ‘Dich, teure Halle.’” He also greatly admired Davidsen’s “extremely elegant and composed stage presence.” Although still in her thirties, “she’s the consummate artist.”
The album is released to coincide with her MET debut as Isolde, one of the most eagerly anticipated operatic debuts of the decade.
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