Can Çakmur - Schubert + Schumann (2026) [Hi-Res]

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Artist:
Title: Schubert + Schumann
Year Of Release: 2026
Label: BIS
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:08:44
Total Size: 185 MB / 1.05 GB
WebSite:

Tracklist:

1. Piano Sonata in D Major, D. 850: I. Allegro vivace (8:56)
2. Piano Sonata in D Major, D. 850: II. Con moto (10:50)
3. Piano Sonata in D Major, D. 850: III. Scherzo. Allegro vivace - Trio (9:04)
4. Piano Sonata in D Major, D. 850: IV. Rondo. Allegro moderato (8:32)
5. Waldszenen, Op. 82: I. Eintritt (2:05)
6. Waldszenen, Op. 82: II. Jäger auf der Lauer (1:25)
7. Waldszenen, Op. 82: III. Einsame Blumen (2:31)
8. Waldszenen, Op. 82: IV. Verrufene Stelle (2:55)
9. Waldszenen, Op. 82: V. Freundliche Landschaft (1:22)
10. Waldszenen, Op. 82: VI. Herberge (1:58)
11. Waldszenen, Op. 82: VII. Vogel als Prophet (2:38)
12. Waldszenen, Op. 82: VIII. Jagdlied (2:40)
13. Waldszenen, Op. 82: IX. Abschied (3:37)
14. Drei Phantasiestücke, Op. 111: No. 1 in C Minor. Sehr rasch, mit leidenschaftlichem Vortrag (2:25)
15. Drei Phantasiestücke, Op. 111: No. 2 in A-Flat Major. Ziemlich langsam (4:23)
16. Drei Phantasiestücke, Op. 111: No. 3 in C Minor. Kräftig und sehr markiert (3:27)

The ongoing Schubert + series produced by pianist Can Çakmur has revealed an exceptional Schubertian. Now in its sixth instalment, the series juxtaposes Schubert’s works with those of composers he inspired. This latest program shines a spotlight on Robert Schumann. Schumann held Schubert in the highest esteem and was one of the first to recognise him as one of the most visionary composers to have ever lived and this alone would have justified this coupling. However, Çakmur delves deeper, using the program as a springboard for a philosophical discussion about naturalism within German Romanticism.

The program features Schubert’s brilliant Sonata in D major, D 850, composed in 1825 in the spa town of Bad Gastein. Its composition amidst the Alpine scenery likely sparked his imagination, echoing the themes of millers, hunters, forests, and mountains prevalent in his songs. Robert Schumann’s Waldszenen (Forest Scenes) continues this thread of inspiration. In these nine miniatures, Schumann returns to the happy and simple lyricism reminiscent of early works like Kinderszenen. The program concludes with Schumann’s Three Phantasiestücke, Op. 111, included, according to Çakmur, for the uncanny similarity between its second piece and the slow movement of Schubert’s Sonata. This program promises a compelling journey into the heart of German Romanticism, guided by Can Çakmur through the works of two of its most pivotal figures.




  • olga1001
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Booklet is on eclassical

https://eclassical.textalk.se/shop/17115/art94/5189594-4854fe-BIS-2760_booklet.pdf