Kim Gordon - PLAY ME (2026) [Hi-Res]

Artist: Kim Gordon
Title: PLAY ME
Year Of Release: 2026
Label: Matador
Genre: Alternative
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 29:55
Total Size: 71.2 / 196 / 342 MB
WebSite: Album Preview
Tracklist:Title: PLAY ME
Year Of Release: 2026
Label: Matador
Genre: Alternative
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 29:55
Total Size: 71.2 / 196 / 342 MB
WebSite: Album Preview
1. PLAY ME (2:28)
2. GIRL WITH A LOOK (2:34)
3. NO HANDS (2:00)
4. BLACK OUT (1:39)
5. DIRTY TECH (2:20)
6. NOT TODAY (3:35)
7. BUSY BEE (3:01)
8. SQUARE JAW (2:19)
9. SUBCON (2:55)
10. POST EMPIRE (2:27)
11. NAIL BITER (2:13)
12. BYEBYE25! (2:27)
Kim Gordon's third album, 'PLAY ME,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident."
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture - where dark humor voices the absurdity of modern life.
Despite its frequent outward gaze, 'PLAY ME' is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process.
“A lifelong radical still at the peak of her powers.” - New Yorker “A poet of modern life, offering abstract, spoken vocals that speak to both the banality and volatility of our world.” - New York Times
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture - where dark humor voices the absurdity of modern life.
Despite its frequent outward gaze, 'PLAY ME' is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process.
“A lifelong radical still at the peak of her powers.” - New Yorker “A poet of modern life, offering abstract, spoken vocals that speak to both the banality and volatility of our world.” - New York Times