Jakub Józef Orliński, Michał Biel - If Music... (2026) [Hi-Res] [Dolby Atmos]

Tracklist

01. Oedipus, Z. 583: No. 2, Song. Music for a While
02. King Arthur, Z. 628, Act 5: The Final Masque. Fairest Isle
03. King Arthur, Z. 628, Act 3: Cold Song. What Power Art Thou?
04. Come, Ye Sons of Art Away, Z. 323: No. 5, Ritornello. Strike the Viol
05. If Music Be the Food of Love, Z. 379 (Third Version)
06. Pausanius, Z. 585: Song. Sweeter Than Roses
07. If Music Be the Food of Love, Z. 379 (First Version)
08. Bonduca, Z. 574, Act 5: Solo. O, Lead Me
09. The Tempest, Z. 631, Act 5: Recitative and Song. Your Awful Voice
10. Il fonte della salute, aperto dalla grazia nel calvario, K. 293: Non t'amo per il ciel
11. Agrippina, HWV 6, Act 2: Recitativo. Otton, qual portentoso fulmine è questi? (Ottone)
12. Agrippina, HWV 6, Act 2: Aria. Voi che udite (Ottone)
13. Rodelinda, regina de' Longobardi, HWV 19, Act 3: Aria. Un zeffiro spirò (Rodelinda)
14. Serse, HWV 40, Act 1: Largo. Ombra mai fu (Serse)
15. Rinaldo, HWV 7, Act 2: Aria. Siam prossimi al porto (Eustazio)
16. Partenope, HWV 27, Act 2: Aria. Furibondo spira il vento (Arsace)
17. Semele, HWV 58, Act 2: Aria. Where'er You Walk (Jupiter)
18. Herz und Mund und Tat und Leben, BWV 147: X. Jesu, Joy of Man's Desiring (Arr. Hess for Piano)

If music… showcases star countertenor Jakub Józef Orliński in 17 songs and arias by three composers of the Baroque era: Purcell, Handel and Fux. Perhaps unexpectedly, he is partnered not by an ensemble of period instruments but by a pianist – his long-standing colleague Michał Biel.

“On this album we have combined arias and songs that inspire and speak to us, “ says Jakub Józef Orliński. “I love thinking of albums as pages out of my diary. They are a statement of where I am as an artist.“ As Michał Biel, who draws on all the possibilities of a Steinway grand piano, freely admits: “If music… is not an answer to the question of how to perform these masterpieces with historical authenticity.” He sees each aria or song as “a carefully considered transcription that reveals its appeal transcending instrumentation”.

The album’s title derives from a sensuous Purcell song with a text inspired by Shakespeare, ‘If music be the food of love’. As Orliński explains, “Each piece of music we perform on the album evokes a different answer for that blank space in its title.” When it comes to the ‘Cold Song’ (‘What Power Art Thou?’) from Purcell’s King Arthur, Biel strikes chilling, percussive chords. “Here the listener should be shocked, frozen,” he says, “though my aim is not to ‘modernise’ or romanticise the music on the album, but to realise it on the modern piano while keeping true to its harmonies and spirit.”

Among the Handel arias are ‘Where’er you walk’ from Semele (originally conceived for the tenor voice), the stately ‘Ombra mai fu’ from Serse, and the lamenting ‘Voi che udite’ from Handel’s Agrippina, which Orliński first recorded with Il Pomo d’Oro and its chief conductor Maxim Emelyanychev. Closing the album is a much-loved solo piano transcription of Bach, made 100 years ago by the British pianist Myra Hess:, ‘Jesu, Joy of Man's Desiring’. Its enduring popularity demonstrates the potential the piano holds in music of the Baroque era.

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