Liam O'Flynn - The Given Note (1995)

  • 29 Mar, 20:24
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Artist:
Title: The Given Note
Year Of Release: 1995
Label: Tara Music
Genre: Folk, Celtic
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 01:02:55
Total Size: 367 MB | 142 MB
WebSite:

Tracklist
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01. O'Farrell's Welcome To Limerick
02. O'Rourke's, The Merry Sisters, Colonel Fraser
03. Come With Me Over The Mountain, A Smile In The Dark (feat. Andy Irvine)
04. Farewell To Govan
05. Joyce's Tune
06. The Green Island, Spellan The Fiddler
07. Foliada De Elviña
08. LAg Taisteal Na Blárnan
09. The Rambler, The Aherlow Jig
10. The Smith's A Gallant Fireman
11. Romeo's Exile (feat. Paul Brady)
12. The Rocks Of Bawn
13. Cailín Na Gruaige Doinne
14. Teño Un Amor Na Montaña / Alborada - Unha Noite No Santo Cristo

It's no surprise that former Planxty member Liam O'Flynn is quite adventurous on this solo album -- after all, Planxty offered their own brand of adventure in making traditional Irish music relevant for a new generation in the '70s. A master uillean pipe and whistle player, O'Flynn's magic is apparent right from the first notes of "O'Farrell's Welcome to Limerick," which daringly also includes some growling bass and didgeridu. But it's not all instrumental -- singer Andy Irvine performs beautifully on "Come With Me Over the Mountain," (and also on the jig "A Smile in the Dark," which he composed, and where he contributes mandolin). The album covers the Celtic spectrum -- there's a Scottish piece from Phil Cunningham ("Farewell to Gavan"), which, while tasteful, veers perilously close to Clannad-style new age Celtic, and even a taste of Galicia on "Foliada De Elviña." But it's obvious that the Irish selections lie closest to O'Flynn's heart, especially "The Green Island/Spellan the Fiddler," which he learned from his parents. Equally adept on both his instruments, O'Flynn is a virtuoso who can dazzle on the whistle with "The Rambler/The Aherlow Jig" and move with some wonderfully lyrical phrasing on the slow air "The Girl of Brown Hair." Call this an object lesson in the way this music should be played in the 1990s.~ Review by Chris Nickson


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