Stefanie Joyce - Violent Delights (2026) [Hi-Res]

Artist: Stefanie Joyce
Title: Violent Delights
Year Of Release: 2026
Label: Self Released
Genre: Country, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 31:53
Total Size: 75.9 / 211 / 373 MB
WebSite: Album Preview
Tracklist:Title: Violent Delights
Year Of Release: 2026
Label: Self Released
Genre: Country, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 31:53
Total Size: 75.9 / 211 / 373 MB
WebSite: Album Preview
1. Violent Delights (3:35)
2. Cheap Cocaine (3:28)
3. Pink Anymore (3:01)
4. Steeple (2:10)
5. Hunger Pangs (4:16)
6. Blindfold (3:20)
7. Dying To Fit In (3:07)
8. Mother (3:44)
9. SSRI's (2:34)
10. Friend In The Dark (2:42)
In a genre that still prefers its women soft-spoken and smiling, Stefanie Joyce is breaking the rules with her forthcoming album, set for release in Fall 2025. The record- produced by GRAMMY-winner Gary Nichols (of The SteelDrivers)- strips away the gloss of mainstream country and Americana, confronting themes often deemed too ugly for beautiful women to sing about — addiction, relapse, grief, and survival.
You know, the themes that real songwriters get to grapple with, as long as they’re men.
“I’ve been told these songs are too heavy, too much for a woman to grapple with publicly” says Joyce. “But real life isn’t always perfumed and picket-fenced. Women in country music have been conditioned to smile through pain — I’m not doing that anymore.”
Joyce’s lyrics cut deep, weaving stories of relapse and redemption through poetic, often harrowing detail. All this while managing to be a complete ear-worm and toe-tapper, the album positions her as both a torchbearer and a firestarter — bridging the raw emotion of Lucinda Williams with the pop-infused aire of Kacey Musgraves, minus the pristine polish.
The forthcoming project lands somewhere between the gritty Southern punk of Stephen Wilson Jr. and the film-noir melancholy of Lana Del Rey. It’s a sound that feels both grounded and surreal — equal parts front porch confessional and gothic lullaby. With sweeping melodies and starkly honest lyrics, Joyce crafts a world where agony is poetry, and beauty and pain collide – making for some raw and remarkable storytelling.
You know, the themes that real songwriters get to grapple with, as long as they’re men.
“I’ve been told these songs are too heavy, too much for a woman to grapple with publicly” says Joyce. “But real life isn’t always perfumed and picket-fenced. Women in country music have been conditioned to smile through pain — I’m not doing that anymore.”
Joyce’s lyrics cut deep, weaving stories of relapse and redemption through poetic, often harrowing detail. All this while managing to be a complete ear-worm and toe-tapper, the album positions her as both a torchbearer and a firestarter — bridging the raw emotion of Lucinda Williams with the pop-infused aire of Kacey Musgraves, minus the pristine polish.
The forthcoming project lands somewhere between the gritty Southern punk of Stephen Wilson Jr. and the film-noir melancholy of Lana Del Rey. It’s a sound that feels both grounded and surreal — equal parts front porch confessional and gothic lullaby. With sweeping melodies and starkly honest lyrics, Joyce crafts a world where agony is poetry, and beauty and pain collide – making for some raw and remarkable storytelling.