Queensland Symphony Orchestra, Andrew Penny - Arnold: Dances (1996)

  • 09 Apr, 20:44
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Artist:
Title: Arnold: Dances
Year Of Release: 1996
Label: Naxos
Genre: Classical
Quality: FLAC (tracks)
Total Time: 54:23
Total Size: 242 Mb
WebSite:

Tracklist:

English Dances, Op. 27, Set 1 (Sir Malcolm Arnold)
01. No. 1, Andantino (00:02:51)
02. No. 2, Vivace (00:01:44)
03. No. 3, Mesto (00:02:25)
04. No. 4, Allegro risoluto (00:01:33)
English Dances, Set 2, Op. 33 (Sir Malcolm Arnold)
05. No. 1, Allegro non troppo (What the Papers Say) (00:03:07)
06. No. 2, Con brio (00:01:29)
07. No. 3, Grazioso (00:02:29)
08. No. 4, Giubiloso (00:02:12)
4 Scottish Dances, Op. 59 (Sir Malcolm Arnold)
09. No. 1, Pesante (00:02:08)
10. No. 2, Vivace (00:02:08)
11. No. 3, Allegretto (00:03:10)
12. No. 4, Con brio (00:01:21)
4 Cornish Dances, Op. 91 (Sir Malcolm Arnold)
13. No. 1, Vivace (00:01:37)
14. No. 2, Andantino (00:03:09)
15. No. 3, Con moto e sempre senza parodia (00:02:36)
16. No. 4, Allegro ma non troppo (00:02:41)
4 Irish Dances, Op. 126 (Sir Malcolm Arnold)
17. No. 1, Allegro con energico (00:01:19)
18. No. 2, Commodo (00:02:44)
19. No. 3, Piacevole (00:01:38)
20. No. 4, Vivace (00:02:06)
4 Welsh Dances, Op. 138 (Sir Malcolm Arnold)
21. No. 1, Allegro (00:01:22)
22. No. 2, Poco lento (00:02:59)
23. No. 3, Vivace (00:02:08)
24. No. 4, Andante con moto (00:03:27)

Total length: 00:54:23
Label: Naxos

Performers:
Queensland Symphony Orchestra
Andrew Penny

This set includes the Four Welsh Dances, not otherwise available on CD. These were the last to be written, and their mood follows on naturally from the ambivalence of the IrishDances. Penny's tempos are very like Arnold's own in his superb set made with the LPO for Lyrita. Where there's a difference, Penny is slightly faster, but the effect is marginal.
The greater character of the LPO under Arnold shows in the very first of the EnglishDances, notably at the reprise, which is more warmly positive.
The Queensland Hall is reverberant, and detail is generally less well focused than on the Lyrita disc; yet so vivid is Arnold's scoring that not much is missed. The lovely Mesto third English Dance is beautifully done in Queensland, and in the second set of English Dances, the Con brio and Giubiloso have all the necessary colour and flair. The Australian orchestra has obviously warmed up for the Scottish set and the inebriated Glaswegian is nicely observed.
For some the lyrical third Scottish Dance is one of the most beautiful and memorable of all Arnold's many fine tunes.
Penny treats it gently; his coda is particularly delicate, but at its appearance on the full strings the composer is that little bit more romantic. However, Penny's closing dance, a Highland fling, is superb in its drunken abandon.
In the opening Cornish Dance that follows, Penny captures the mysterious evocation of deserted copper mines well, and in the IrishDances, written some 20 years later, he captures the fragile mood of the central Commodo and Piacevole tenderly. This is altogether an excellent and inexpensive collection.