Glenn Morrison & Night Waves (UK) - We Can Be Solved - Artist Album (2026)

Fall From Grace Records uncorks another long, strange transmission from the underground with its 169th release, a sprawling seventeen track artist album from Glenn Morrison and Night Waves titled We Can Be Solved. This is not a polite collection of club tools. It is a nocturnal map, scrawled in bass pressure and soft focus melody, the kind of record that stretches time and bends rooms. Morrison and Night Waves move like seasoned navigators here, threading atmospheric melodic house and techno through dubbed out deep house, flirting with indie dance, then drifting into darker, almost tribal corners when the lights get dangerous. It is hypnotic house music with intent, music for people who still believe the dancefloor is a place to think, sweat, remember, and disappear all at once. The album opens its lungs with 'Warm', setting a humid tone before slipping into the elastic groove of 'Gretti' and the runway glide of 'Runway.' 'Levelling' and 'Friends Again' build patience into propulsion, while 'Warped Up' twists the rhythm into something sly and late night. 'Escapade' and 'Get Together' lean into that hazy promise of motion, tracks that feel like city lights seen through a taxi window at four in the morning. 'Alternate' and 'Dreams' blur the edges even further, dreamy but disciplined, while 'Early Night Groove' lives up to its name, a slow ignition that creeps rather than explodes. Every cut breathes, every groove circles rather than charges. At the core sits the title piece 'We Can Be Solved,' a reflective engine that hums with melodic pressure and emotional gravity. From there the album keeps unfolding like a story told sideways. 'Meantime' and 'Saved' move with soft authority, subtle but loaded. 'Tempt' toys with restraint, while 'Tie Me Down' drags the listener deeper into the hypnotic pocket. By the time 'Hazy Memories' arrives, the album feels less like a sequence of tracks and more like a long internal monologue written in rhythm and reverb. This is house music that remembers where it came from and still has the nerve to push forward without shouting about it. We Can Be Solved lands in the hands of selectors who understand journey over fireworks, which explains why Glenn Morrison and Night Waves continue to earn heavy rotation from Sasha and John Digweed, Laurent Garnier, Carl Cox, Pete Tong, and the wider global circuit that respects craft over gimmick. It is melodic, progressive, dubbed, tribal in spirit, and soaked in atmosphere, a hazy chugging album built for long sets and longer nights. With this release, Fall From Grace does not just add another number to the catalogue, it adds another chapter to its underground narrative, a record that does not demand attention, it quietly takes it and refuses to give it back.