Württembergische Philharmonie Reutlingen & Howard Griffiths - Felix Woyrsch: Symphonies 1 & 6 (2026) [Hi-Res]

Artist: Württembergische Philharmonie Reutlingen, Howard Griffiths
Title: Felix Woyrsch: Symphonies 1 & 6
Year Of Release: 2026
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 55:43
Total Size: 223 / 989 MB
WebSite: Album Preview
Tracklist:Title: Felix Woyrsch: Symphonies 1 & 6
Year Of Release: 2026
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 55:43
Total Size: 223 / 989 MB
WebSite: Album Preview
1. Woyrsch: Symphony No. 1 in C minor, Op. 52: Sehr mäßig bewegt (8:42)
2. Woyrsch: Symphony No. 1 in C minor, Op. 52: Sehr langsam (7:42)
3. Woyrsch: Symphony No. 1 in C minor, Op. 52: In ruhig schreitender Bewegung – Schnell und leicht – Erstes Zeitmaß (6:57)
4. Woyrsch: Symphony No. 1 in C minor, Op. 52: Sehr langsam – Sehr bewegt – Mäßig bewegt, nicht schleppend (13:09)
5. Woyrsch: Symphony No. 6 in C major, Op. 77 “Sinfonia sacra”: Sanktus. Mäßig schnell (6:00)
6. Woyrsch: Symphony No. 6 in C major, Op. 77 “Sinfonia sacra”: Via crucis. Mäßig langsam (7:47)
7. Woyrsch: Symphony No. 6 in C major, Op. 77 “Sinfonia sacra”: Gloria. Lebhaft, doch nicht übereilt (5:29)
The works of the late Romantic Felix Woyrsch are excellent pleas for the species of the creative epigone. Perhaps it is precisely this much too often criticized group of "later-born" artists who, with their own creations, prepared the solid basis for the greats by adopting their achievements and testing them as a means of their own expressive will. The Silesian Woyrsch, who found a permanent home in Altona, which was not yet part of Hamburg at the time, demonstrated that sometimes even the impossible became possible. He succeeded in reconciling his diametrically opposed role models Wagner, Bruckner and Brahms quite "inconspicuously" without losing face himself - on the contrary: the cycle of six symphonies, which the current publication brings to a close, proves to be a high-profile confession that is all the more impressive when one knows that the active musician Felix Woyrsch was quite open to the phenomena of modernism.