Rosie Carney - doomsday night tapes (2026) [Hi-Res]

On her fourth record (her third original), Carney pushes beyond the intimate folk foundations of her earlier work Bare (2019), creative full-length reimagination of Radiohead classic The Bends (2020), and the rockier i wanna feel happy (2022) forging a vivid sonic world in collaboration with MacDonald and Thomas across months of sessions in London. The album explores female rage, nostalgia, existential dread, and the complexities of love and loss through a sonic world that pulls from shoegaze, alt-pop, and electronic textures.

Carney says about the album: “Although the songs are essentially bigger and louder, they feel almost more personal and more intimate than anything I’ve created before. The bigger sound worked as a shield while I was writing - it felt safer to dig deep and explore themes of grief, heartache and isolation. This album is like a body of armour, and the softness lives protected within it. It’s a dream collapsing into a nightmare, and a nightmare dissolving back into a dream.”