Dmytro Choni - Heartlands (2026) [Hi-Res]

  • 28 May, 18:14
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Artist:
Title: Heartlands
Year Of Release: 2026
Label: Naive
Genre: Classical Piano
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
Total Time: 01:13:44
Total Size: 296 mb / 1.32 gb
WebSite:

Tracklist

01. Piano Sonata No. 2 in G Minor, Op. 22: I. So rasch wie möglich
02. Piano Sonata No. 2 in G Minor, Op. 22: II. Andantino. Getragen
03. Piano Sonata No. 2 in G Minor, Op. 22: III. Sehr rasch und markiert
04. Piano Sonata No. 2 in G Minor, Op. 22: IV. Rondo. Presto
05. Novelette in F-Sharp Minor, Op. 21: VIII. Sehr lebhaft
06. Rhapsody on Ukrainian Themes No. 2, Op. 18 (Dumka-Schumka)
07. Rêverie, Op. 13 (Visions of the Past)
08. 2 Rhapsodies in B Minor, Op. 79: I. Agitato
09. 2 Rhapsodies in G Minor, Op. 79: II. Molto passionato, ma non troppo allegro
10. 4 Klavierstücke in B Minor, Op. 119: I. Intermezzo. Adagio
11. 4 Klavierstücke in E Minor, Op. 119: II. Intermezzo. Andantino un poco agitato
12. 4 Klavierstücke in C Major, Op. 119: III. Intermezzo. Grazioso e giocoso

A fertile dialogue between two major figures of German Romanticism and Mykola Lysenko, the founder of the Ukrainian school of composition, ‘Heartlands’ draws on the pianistic roots of Ukrainian pianist Dmytro Choni. It follows a path traced through the expressive heart of Romanticism, bringing together the deep introspection of Brahms, the fervent intensity of Schumann and the national spirit of Lysenko.

As its title indicates, ‘Heartlands’ is an album of both land and heart. Since childhood, Ukrainian pianist Dmytro Choni has instinctively nourished his playing with emotional and cultural roots he feels to be profoundly his own - those of the Germans Brahms and Schumann, as well as of the Ukrainian Lysenko, an omnipresent musical figure in his homeland: an exceptional teacher, a collector and publisher of folk music, a passionate cultural and civic leader and the visionary founder of Kyiv’s first professional Music and Drama School in 1904.

With this album, the prize-winner of the prestigious Leeds and Van Cliburn competitions re-creates - by shifting the listener’s gaze and ear eastward - a finely balanced dialogue between a largely Germanic Romantic repertoire and music that deserves far greater visibility beyond its national borders.