Het Nederlands Bach Consort - Sand & Foam (2026) [Hi-Res]

Tracklist

01. Sand and Foam I: Genesis
02. Wie Schön Leuchtet Der Morgenstern - Choral from BWV No. 1
03. Missa Pro Defunctis: I. Introitus
04. Missa Pro Defunctis: II. Tractus
05. Missa Pro Defunctis: III. Sequentia
06. Missa Pro Defunctis: IV. Offertorium
07. Missa Pro Defunctis: V. Sanctus
08. Missa Pro Defunctis: Vi. Pie Jesu
09. Missa Pro Defunctis: VII. Agnus Dei
10. Missa Pro Defunctis: VIII. Libera Me
11. Missa Pro Defunctis: IX. In Paradisum
12. Wenn Ich Einmal Soll Scheiden - Choral from BWV 244

Sand and Foam by William Knight uses words from Kahlil Gibran’s book of the same name.
The book is made up of hundreds of aphorisms, each beautiful and thought provoking. With all my music I try to follow the words of the poet and bring out the natu-ral rhythm and beauty of the text. Each aphorism can be taken by itself and offers the reader or listener a chance to reflect. My compilation of the aphorisms is an observation on the creation and fall of mankind: It presents a warning. However, when the apocalypse comes this is not in a calamitous way, what will come will come. Life and death present the beginning and the end but not apart from each other. After we are gone life will carry on and our footsteps betwixt the sand and the foam will be washed away by the sea.
Missa pro defunctis by Victor Kioulaphides. Death is as univer-sally inevitable as it is generally misunderstood. Art and music helps— or does it?
Vivid imagery and dramatic sounds capture the heartbreak, the devasta-ting loss felt by those left behind. Yet for the one that actually passes, often little is expressed. The Requiem Mass speaks of the eternal peace, the perfect conclusion, the ethereal serenity that is death. And this is the story this score retells. If the listener is left at peace, the music has succeeded.
Het Nederlands Bach Consort shows courage in its productions and does not shy away from experimentation. Artistic directors Heleen Koele (sop-rano) and Sytse Buwalda (counter-tenor) have both earned their spurs as singers and complement each other well with their different areas of expertise.
All this leads to a daring approach based on the old foundation of Bach: “As a consort, we feel the urgency to translate our observations of social trends into an artistic form. In doing so, we always draw on the power of music. Raw, tranquil, abrasive, and comforting. In line with current trends, we commission compositions from established and young compo-sers, such as Victor Kioulaphides, Monique Krüs, William Knight, and Lotte Pen. We give the resounding past a foundation in the present….. Always accessible, never easy.”