Christopher Palameta, Notturna - Le hautbois révolutionnaire (Chamber Music for Oboe from the Revolutionary Period) (2026) [Hi-Res]

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Artist:
Title: Le hautbois révolutionnaire (Chamber Music for Oboe from the Revolutionary Period)
Year Of Release: 2026
Label: ATMA Classique
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:13:44
Total Size: 351 MB / 1.36 GB
WebSite:

Tracklist:

1. Quartet for oboe and strings in F Major, KV 370: I. Allegro (7:14)
2. Quartet for oboe and strings in F Major, KV 370: II. Adagio (3:10)
3. Quartet for oboe and strings in F Major, KV 370: III. Rondo - Allegro (4:47)
4. Prélude (0:36)
5. Quintet for oboe and strings in C Major: Allegro moderato - Siciliano (Andantino) - Tempo primo (8:26)
6. Quintet for oboe and strings in C Major: Adagio gratioso (3:28)
7. Quintet for oboe and strings in C Major: Recitativo (1:17)
8. Quintet for oboe and strings in C Major: Presto, non troppo (3:09)
9. Quintet for oboe and strings No. 2 in F Major, Op. 45, G. 432: I. Andantino (5:44)
10. Quintet for oboe and strings No. 2 in F Major, Op. 45, G. 432: II. Minuetto - Trio (4:00)
11. La Rencontre imprévue, Wq. 32: Je chérirai, jusqu’au trépas (Arr. Anonymous, for Sextet on Period Instruments) (3:48)
12. La Rencontre imprévue, Wq. 32: Vous ressemblez à la rose naissante (Arr. Anonymous, for Sextet on Period Instruments) (2:32)
13. La rosière de Salency: Entr’acte (3:03)
14. La Rencontre imprévue, Wq. 32: Tout ce que j’aime est au tombeau (Arr. Anonymous, for Sextet on Period Instruments) (3:22)
15. La Rencontre imprévue, Wq. 32: Maître des cœurs (Arr. Anonymous, for Sextet on Period Instruments) (3:43)
16. Quartet for oboe and strings in E Minor: I. Allegro (7:16)
17. Quartet for oboe and strings in E Minor: III. Adagio sans lenteur (3:44)
18. Quartet for oboe and strings in E Minor: IV. Allegro (Finale) (4:34)

With The Revolutionary Oboe, oboist Christopher Palameta and the Notturna ensemble have created a captivating album that brings to light a repertoire as brilliant as it is underappreciated. At the crossroads of history and rediscovery, this recording immerses the listener in the musical effervescence of the late 18th century, a time when the oboe underwent a true metamorphosis. Featuring works by Mozart, Kreutzer, Boccherini, Gluck, and Gretry, the album explores a fascinating phenomenon: the emergence of the oboe in chamber music, where it becomes an expressive solo voice, capable of competing with the strings and conveying a musical discourse of newfound intensity. This repertoire, once prized in Parisian salons, regains its full vitality here, brought to life by a historically informed and deeply vibrant performance. At the heart of this project lies an exceptional instrument: an original oboe crafted around 1785 by the Parisian instrument maker Christophe Delusse. Its luminous tone and virtuosic potential embody this "revolution" in the oboe, whose technical advancements profoundly transformed the musical composition of the era. Several works presented here are being recorded for the first time, revealing an entire facet of French music that had fallen into obscurity and is now being brought back into the spotlight. A leading figure in the field of historical oboe, Christopher Palameta has enjoyed a remarkable international career. A professor at major European institutions, he has recorded over ninety albums and is distinguished by his commitment to rare repertoires. With Notturna, which he founded in 2006, he is dedicated to reviving unpublished works with rigor, curiosity, and passion.



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Booklet is on Label

https://www.atmaclassique.com/wp-content/uploads/booklets/ACD-22832-1.pdf