Michael Kaykov - Liszt: Complete Piano Music, Vol. 69 (2026) [Hi-Res]

Tracklist

01. Schnitterchor aus den Entfesselten Prometheus, S. 507a
02. Pastorale, S. 508
03. Gaudeamus igitur, S. 509
04. Marche héroïque, S. 510
05. 3 Chansons, S. 510a: No. 1, La consolation
06. 3 Chansons, S. 510a: No. 2, Avant la bataille
07. 3 Chansons, S. 510a: No. 3, L'espérance
08. Leyer und Schwerdt, S. 452 Heroide nach Carl Maria von Weber
09. Schlummerlied mit Arabesken, S. 454
10. Fanfare zur Enthüllung des Carl-Augusts Monument, S. 542b
11. Caritas, S. 552a
12. La caritá, S. 552b
13. Album-Leaf, S. 167q
14. 5 Album-Leaves, S. 166t: No. 1, Andante
15. 5 Album-Leaves, S. 166t: No. 2, —
16. 5 Album-Leaves, S. 166t: No. 3, Andante
17. 5 Album-Leaves, S. 166t: No. 4, —
18. 5 Album-Leaves, S. 166t: No. 5, —
19. Album-Leaf, S. 167c

A central expression of Franz Liszt’s multifaceted creativity was his lifelong engagement with transcription and transformation, using the piano as a medium capable of absorbing the sonorities, gestures and emotional weight of voices and orchestras alike. From the declamatory strength and driving rhythms of the earlier Schnitterchor aus dem Entfesselten Prometheus to various late meditations on An die Künstler, these works trace Liszt’s artistic evolution from the assertive rhetoric of his early maturity to the compressed, exploratory language of his final years.