NHK Symphony Orchestra, Herbert Blomstedt - Sibelius - Nielsen - Berwald (2026) [Hi-Res]

Artist: NHK Symphony Orchestra, Herbert Blomstedt
Title: Sibelius - Nielsen - Berwald
Year Of Release: 2026
Label: Unitel, under exclusive licence to PLATOON Ltd
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
Total Time: 01:01:51
Total Size: 294 / 623 mb
WebSite: Album Preview
TracklistTitle: Sibelius - Nielsen - Berwald
Year Of Release: 2026
Label: Unitel, under exclusive licence to PLATOON Ltd
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
Total Time: 01:01:51
Total Size: 294 / 623 mb
WebSite: Album Preview
01. Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela
02. Clarinet Concerto, Op. 57: Ia. Allegretto un poco
03. Clarinet Concerto, Op. 57: Ib. Poco adagio
04. Clarinet Concerto, Op. 57: Ic. Allegro non troppo
05. Clarinet Concerto, Op. 57: Id. Allegro vivace
06. Wind Quintet, Op. 43: II. Menuet
07. Symphony No. 4 in E-Flat Major Sinfonie naive: I. Allegro risoluto
08. Symphony No. 4 in E-Flat Major Sinfonie naive: II. Adagio
09. Symphony No. 4 in E-Flat Major Sinfonie naive: III. Scherzo. Allegro molto
10. Symphony No. 4 in E-Flat Major Sinfonie naive: IV. Finale. Allegro vivace
The conductor Herbert Blomstedt was 97 when this live recording was made in Tokyo in 2024, and the accumulated wisdom of the years permeates all three pieces.
The achingly eloquent string polyphony at the opening of Sibelius’ tone-poem The Swan of Tuonela signals both the high quality of the NHK Symphony Orchestra, and Blomstedt’s undiminished ability to shape compelling musical paragraphs. Kei Ito, the orchestra’s principal clarinet, is the soloist in Nielsen’s Clarinet Concerto, and together he and Blomstedt catch vividly the mercurial mood-flips of the opening section. Ito probes deeply into the first unaccompanied cadenza, and finds wit and elegance in the concerto’s dashing finale.
Sharp woodwind detail and energized rhythms mark the opening movement of Franz Berwald’s Fourth Symphony, where Blomstedt clearly relishes the music’s healthy, open-air ambience. The slow movement has the sweet lyricism of Berwald’s contemporary Schubert, and Blomstedt’s bracing account of the finale brings this richly enjoyable program to an invigorating conclusion.