Matt Berry - Everything's Peachy (2026) [Hi-Res]

Artist: Matt Berry
Title: Everything's Peachy
Year Of Release: 2026
Label: Acid Jazz UK
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 42:12
Total Size: 97.5 / 225 / 438 MB
WebSite: Album Preview
Tracklist:Title: Everything's Peachy
Year Of Release: 2026
Label: Acid Jazz UK
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 42:12
Total Size: 97.5 / 225 / 438 MB
WebSite: Album Preview
1. Everything's Peachy, Pt. 1 (1:34)
2. Everything's Peachy, Pt. 2 (4:06)
3. Everything's Peachy, Pt. 3 (5:43)
4. Everything's Peachy, Pt. 4 (3:13)
5. Everything's Peachy, Pt. 5 (4:46)
6. Everything's Peachy, Pt. 6 (1:27)
7. Everything's Peachy, Pt. 7 (2:45)
8. Everything's Peachy, Pt. 8 (4:07)
9. Everything's Peachy, Pt. 9 (4:13)
10. Everything's Peachy, Pt. 10 (2:17)
11. Everything's Peachy, Pt. 11 (3:17)
12. Everything's Peachy, Pt. 12 (4:49)
Acid Jazz presents the second volume of the Jazz Sessions series with the first album from the Matt Berry Trio, with Matt Berry joined by long-time collaborators Phill Scragg and Graham Mann on ‘Everything’s Peachy’. This is an exciting leftward turn by Matt, taking a break from his songwriting, leading the trio to visit some of his jazz, modern classical and electronic influences.
‘Everything Peachy’ is a 12-part instrumental suite, inspired by ‘the Sky King’ (American folk hero Richard “Beebo” Russell), who stole a large aircraft with no flight training, performing stunts and manoeuvres, before crashing to his own demise, and takes its name from his response to air traffic control.
Conveying variously the chaos, nostalgia, regret and acceptance of Russell’s maiden flight, it is an open, freeform and flowing composition, drawing influence from the electronic experiments of Miles Davis and the melancholy of Satie, to create another moment of musical beauty from Matt’s curious and ever-moving musical mind.
‘Everything Peachy’ is a 12-part instrumental suite, inspired by ‘the Sky King’ (American folk hero Richard “Beebo” Russell), who stole a large aircraft with no flight training, performing stunts and manoeuvres, before crashing to his own demise, and takes its name from his response to air traffic control.
Conveying variously the chaos, nostalgia, regret and acceptance of Russell’s maiden flight, it is an open, freeform and flowing composition, drawing influence from the electronic experiments of Miles Davis and the melancholy of Satie, to create another moment of musical beauty from Matt’s curious and ever-moving musical mind.