Rich Willey - Laid Back, Vol. 1 (2026)

Artist: Rich Willey
Title: Laid Back, Vol. 1
Year Of Release: 2026
Label: Boptism
Genre: Jazz
Quality: mp3 320 kbps / flac lossless (tracks)
Total Time: 00:54:31
Total Size: 126 / 353 mb
WebSite: Album Preview
TracklistTitle: Laid Back, Vol. 1
Year Of Release: 2026
Label: Boptism
Genre: Jazz
Quality: mp3 320 kbps / flac lossless (tracks)
Total Time: 00:54:31
Total Size: 126 / 353 mb
WebSite: Album Preview
01. Laid Back (Night Life)
02. Triple Play
03. Relax & Take It Easy
04. Long Lost Brothers
05. Ladies First
06. That’s My Little Girl
07. Hip Slick & Cool
Chicago-based trumpeter and composer Rich Willey oversees an impressive eleven-piece ensemble on Best Laid Plans, which embodies seven of his melodically enticing and rhythmically strong compositions, all neatly arranged by Wally Minko.
The one clear drawback in this otherwise pleasing session, however, is an incessant rock beat, which lends an aura of sameness to every number that serves to weaken its purpose and impede even the most valiant efforts to separate it from the herd. That is countered to some extent by the inclusion of John Swana's EVI (electric valve instrument), whose unique solo voice adds welcome variety on most tracks. On balance, however, the EVI, even though invigorating, is unable to neutralize the adverse effects of the constant and repetitive drumbeat.
Once past that, the music is by and large admirable: engaging melodies, well-drawn charts, forceful blowing by the ensemble, earnest solos by Willey, Swana, pianist (and organist) Paul Mutzabaugh, trombonist Steve Duncan and soprano saxophonist Jim Gailloretto. Willey composed every song including That's My Little Girl, the lone exception to the funky two-beat format. He and Swana are especially impressive on Long Lost Brothers, sharing the melodic chores before trading elegant solos. Mutzabaugh solos there too, as he does (on Hammond) on the frisky opener, Laid Back, and (electric) piano on My Little Girl.
Swana is suitably bracing and ethereal whenever he solos, which is on five of the album's seven numbers; he sits out only on the well-named Relax & Take It Easy and similarly even-tenpered Ladies First. The rhythm section is fine, and one can hardly blame drummer Charles Heath for the annoying drum play; he was only doing what was asked of him.
On balance, a well-above-average session whose many charming moments far outweigh the ill-advised choice to set most of them to undue and less-than-engaging rhythms. Earnestly recommended for its many positive aspects.