Thomas Newman - Meet Joe Black - Original Motion Picture Soundtrack (1998)

  • 25 Jul, 20:26
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Artist:
Title: Meet Joe Black - Original Motion Picture Soundtrack
Year Of Release: 1998
Label: Universal Records
Genre: Soundtrack, Classical, Jazz, Acoustic
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 51:57
Total Size: 235 MB | 119 MB
WebSite:

Tracklist
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01. Thomas Newman - Yes
02. Thomas Newman - Everywhere Freesia
03. Thomas Newman - Walkaway
04. Thomas Newman - Meet Joe Black
05. Thomas Newman - Peanut Butter Man
06. Thomas Newman - Whisper Of A Thrill
07. Thomas Newman - Cheek To Cheek
08. Thomas Newman - Cold Lamb Sandwich
09. Thomas Newman - Fifth Ave.
10. Thomas Newman - A Frequent Thing
11. Thomas Newman - Death And Taxes
12. Thomas Newman - Served Its Purpose
13. Thomas Newman - Sorry For Nothing
14. Thomas Newman - Mr. Bad News
15. Thomas Newman - Let's Face The Music And Dance
16. Thomas Newman - The Question
17. Thomas Newman - Someone Else
18. Thomas Newman - What A Wonderful World
19. Thomas Newman - That Next Place
20. Thomas Newman - Somewhere Over The Rainbow / What A Wonderful World (feat.Israel Kamakawiwo'ole)

As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet Under. His score for Meet Joe Black contains the seeds of beauty that would fully flower on his score for American Beauty, the next film he scored and a high point of his career. "Whisper of a Thrill," the soaring romantic theme, is a perfect distillation of the film's emotional plot, its yearning melody shadowing Joe Black's (Brad Pitt) love for the beautiful Susan (played by Claire Forlani) and its ultimate futility. As romantic themes go, Newman's ranks as a recent classic that captures both the initial rush of love and also the devastating crush of its leaving. Newman skillfully weaves this theme into the rest of the score, and its sweeping sentimentality is flexible enough to be incorporated into other melodic themes, such as the denouement of "Someone Else." For the most part, gentle strings and woodwinds dominate, with gentle piano work reserved for special, heart-tugging moments. But the score is also quite playful, as on "Peanut Butter Man," where a flute meanders over bouncing strings, and also in the quick, percussive staccato of the middle-eight. This is an excellent score, an achievement from any composer, and something that ranks up near the top of Thomas Newman's work.~ Review by James Mason


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