Art Zoyd - La chute de la Maison Usher (2003)

Artist: Art Zoyd
Title: La chute de la Maison Usher
Year Of Release: 2003
Label: In-possible records
Genre: Avant-Garde, Prog Rock, Dark Ambient
Quality: Flac (tracks)
Total Time: 01:06:13
Total Size: 328 Mb
WebSite: Album Preview
Tracklist:Title: La chute de la Maison Usher
Year Of Release: 2003
Label: In-possible records
Genre: Avant-Garde, Prog Rock, Dark Ambient
Quality: Flac (tracks)
Total Time: 01:06:13
Total Size: 328 Mb
WebSite: Album Preview
01. Orée 5:41
02. Madeline 3:02
03. Le manoir 5:06
04. Traces 2:51
05. Le tableau vivant 14:07
06. Cérémonie 5:26
07. Marche au cercueil 10:01
08. Paysage griffé 7:21
09. L'appel de la nuit 3:59
10. Le retour de Madeline 5:08
11. Le brasier 3:30
"La Chute de la Maison Usher" (2003) is one of the most ambitious projects by the French avant-garde collective Art Zoyd, created as an original soundtrack for Jean Epstein's 1928 silent expressionist masterpiece, "The Fall of the House of Usher," based on Edgar Allan Poe's novel.
The album is a dark canvas at the intersection of academic avant-garde, gothic electronica, and acoustic expressionism. Art Zoyd masterfully combines live strings and brass instruments with heavy, hypnotic electronic samples and digital processing, recreating the atmosphere of claustrophobia and madness inherent in Poe's story.
Since the music was written specifically for the film, the tracks flow seamlessly from one to the next, creating a continuous, almost hypnotic immersion. The music sometimes dies away in rustling, barely perceptible ambient textures, then explodes into sharp, dissonant climaxes.
The album is a dark canvas at the intersection of academic avant-garde, gothic electronica, and acoustic expressionism. Art Zoyd masterfully combines live strings and brass instruments with heavy, hypnotic electronic samples and digital processing, recreating the atmosphere of claustrophobia and madness inherent in Poe's story.
Since the music was written specifically for the film, the tracks flow seamlessly from one to the next, creating a continuous, almost hypnotic immersion. The music sometimes dies away in rustling, barely perceptible ambient textures, then explodes into sharp, dissonant climaxes.