Wall Matthews & Aleta Greene - The Color of Dusk (2021)

Artist: Wall Matthews, Aleta Greene
Title: The Color of Dusk
Year Of Release: 1996/2021
Label: Zgm
Genre: Acoustic Folk, Jazz, World
Quality: Mp3 320 / Flac (tracks)
Total Time: 59:11
Total Size: 142/321 Mb
WebSite: Album Preview
Tracklist:Title: The Color of Dusk
Year Of Release: 1996/2021
Label: Zgm
Genre: Acoustic Folk, Jazz, World
Quality: Mp3 320 / Flac (tracks)
Total Time: 59:11
Total Size: 142/321 Mb
WebSite: Album Preview
01. Jenny in Love 0:23
02. Ndzeli in Passage / Jenny in Love 7:10
03. Jenny in Tears / Jenny in Love 5:37
04. Leah in Freedom 6:46
05. Prunella's Picnic / Jenny in Love 4:31
06. Tildy's Prayer 7:53
07. Julia, Carrying Water 3:23
08. Lucy Sleeps with Master Muford 3:33
09. A Slightly Colored Lady 3:56
10. Harriet in Mid Air 7:31
11. The Praying Ground 2:25
12. Canticle of a Black Lady 2:42
13. Bonus Track: He Comes in the Night 3:22
"The Color of Dusk" (2021) is a refined solo album by American guitarist and composer Wall Matthews, known for his work with the avant-garde folk group The Art Ensemble of Cape Cod and his collaborations with pianist Howard Sills.
The album is based on virtuosic, subtle fingerpicking, blending the traditions of John Fahey and Leo Kottke with elements of impressionistic classical music. Matthews uses 6- and 12-string acoustic guitars, periodically adding delicate keyboard textures and spatial sound effects.
The title "The Color of Dusk" aptly describes the mood of the record—a quiet, reflective, and warm immersion in nature's pre-twilight state. The music is built on soft harmonies, the natural resonance of wood, and pauses that allow the sound to "breathe."
The album plays like a single, meditative narrative. The melodic lines aren't overloaded with unnecessary technique for the sake of technique—the emphasis is on the expressiveness of each note, the dynamics of the strings, and the cinematic quality.
The album is based on virtuosic, subtle fingerpicking, blending the traditions of John Fahey and Leo Kottke with elements of impressionistic classical music. Matthews uses 6- and 12-string acoustic guitars, periodically adding delicate keyboard textures and spatial sound effects.
The title "The Color of Dusk" aptly describes the mood of the record—a quiet, reflective, and warm immersion in nature's pre-twilight state. The music is built on soft harmonies, the natural resonance of wood, and pauses that allow the sound to "breathe."
The album plays like a single, meditative narrative. The melodic lines aren't overloaded with unnecessary technique for the sake of technique—the emphasis is on the expressiveness of each note, the dynamics of the strings, and the cinematic quality.