Vince Gill - 50 Years From Home: Eighteen Summers (2026) [Hi-Res]

“Forty years into this, it’s still as much fun as it’s ever been to play music,” says Gill, sitting in his home studio in Nashville. “At the end of the day, what I get excited about is doing something I haven’t done before. When I record a song, I feel successful if I’ve accomplished something new.”

That’s no small feat, considering that on his first solo album since 2011’s Guitar Slinger, Gill returns to his favorite theme, love in all its incarnations: Love sweet and celebrated (“Me and My Girl,” “My Favorite Movie”), love on fire (“Take Me Down,” “Make You Feel Real Good”), love denied (“I’ll Be Waiting for You,” “Down to My Last Bad Habit”), and love lost and mourned (“I Can’t Do This,” “Reasons for the Tears I Cry”).

The Oklahoma native wrote or co-wrote all of the songs on the album. “I love the diversity of the songs. Some of them are brand new, and some of them have a lot of years on them,” he notes. Gill took two years to make the record, during which he co-produced the second of two albums (Like a Rose, The Blade) with the old-soul vocalist Ashley Monroe. And with steel guitar wizard Paul Franklin, he recorded Bakersfield, an album composed of the hard-country songs of Buck Owens and Merle Haggard.

The new album likewise acknowledges country’s deep roots with the steel-guitar laced “Sad One Coming On (A Song for George Jones).” Gill, who approximates Jones’ clench-jawed vocal, sang at Jones’ funeral in 2013, but he was so broken up that he could hardly get through it. He wrote the new song as a way to assuage his own pain, and to give the King of Broken Hearts his due as perhaps the greatest country singer ever.

“If something’s country, I want it to sound about 1958,” says Gill, with a laugh. “I want it deep, as honest and authentic as it should be.”

The songs on Down to My Last Bad Habit run the gamut of styles, including the jazzy “One More Mistake I Made,” the down-and-dirty Chicago blues of “Make You Feel Real Good,” and

the blistering “I Can’t Do This,” which hearkens to the pop power ballads of the ‘70s. One of the album’s highlights, “I Can’t Do This” captures the excruciating pain of a man who runs into his old flame with her new beau, and remembers the nights “I’ve seen that red dress hanging on our bedroom door.”

“Boy, you talk about torment!” Gill says. “But I like melancholy. It’s light years more fun to sing. There’s so much more emotion in it.”

As a producer, Gill wants every note to matter, and to feel equal to the others. He picks his musicians and guest vocalists much the way a film director makes a movie. “I’m always casting,” he explains. “I ask myself, ‘Who’s right for this part? Who will play it the best?’ That to me is the most fun part of making a record.”

While he chose such luminaries as Sheryl Crow, Alison Krauss, Bekka Bramlett, jazz trumpeter Chris Botti, Little Big Town and guitarist Sonny Landreth for this record, he also found new friends in Ellie Holcomb, Charlie Worsham and Cam, in addition to his favorite vocalists close by: daughters Jenny and Corrina. “I feel like the Partridge Family is rearing its ugly head in my life,” he says, laughing. “But in a great way.”

Fresh off a run of Christmas shows at Nashville’s famed Ryman Auditorium with his wife, Christian contemporary and pop legend Amy Grant, Gill reunites with Americana star Lyle Lovett for a 14-city tour in February and March, reprising their witty, wry, and musically superb concerts of 2015. In addition to his own solo concerts, he also does about 30 gigs a year with the Grammy-nominated The Time Jumpers, the sophisticated Nashville-based ensemble dedicated to revitalizing western-swing and classic honky tonk.

“Since I put this studio in the house, I think I’m playing, singing, and writing better than I ever have,” he offers. “And that inspires me.”

Though Down to My Last Bad Habit is sure to appeal to fans old and new. “I was meant to play music,” he says, summing it all up. “And I don’t want to leave anything in the bag.”