Ella Fitzgerald - Live at Falkoner Theatre, Copenhagen, 6th February 1966 (2026) [Hi-Res]

Artist: Ella Fitzgerald
Title: Live at Falkoner Theatre, Copenhagen, 6th February 1966
Year Of Release: 2026
Label: Gearbox Records Ltd
Genre: Vocal Jazz
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 40:47
Total Size: 152 / 714 MB
WebSite: Album Preview
Tracklist:Title: Live at Falkoner Theatre, Copenhagen, 6th February 1966
Year Of Release: 2026
Label: Gearbox Records Ltd
Genre: Vocal Jazz
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 40:47
Total Size: 152 / 714 MB
WebSite: Album Preview
1. Satin Doll (Live) (2:57)
2. Wives and Lovers (Live) (2:43)
3. Something To Live For (4:27)
4. Let's Do It, Let's Fall In Love (Live) (4:30)
5. Sweet Georgia Brown (Live) (3:13)
6. How High The Moon (Live) (8:58)
7. Lover Man (Oh Where Can You Be?) (Live) (4:21)
8. Só Danço Samba (Jazz 'n' Samba) (Live) (3:35)
9. I'm Just A Lucky So-And-So (Live) (3:05)
10. Mack The Knife (Live) (3:03)
Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem.
The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen.
Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where Black American jazz musicians found a degree of respect that the United States too often denied them.
Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella’s estate, we are treated to an irrepressible, unexpectedly vital addition to her canon
The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen.
Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where Black American jazz musicians found a degree of respect that the United States too often denied them.
Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella’s estate, we are treated to an irrepressible, unexpectedly vital addition to her canon