Ganassi Consort - Handel: Solo Sonatas (2026)

Artist: Ganassi Consort
Title: Handel: Solo Sonatas
Year Of Release: 2026
Label: Musikproduktion Dabringhaus und Grimm
Genre: Classical
Quality: flac lossless (tracks)
Total Time: 01:53:54
Total Size: 557 mb
WebSite: Album Preview
TracklistTitle: Handel: Solo Sonatas
Year Of Release: 2026
Label: Musikproduktion Dabringhaus und Grimm
Genre: Classical
Quality: flac lossless (tracks)
Total Time: 01:53:54
Total Size: 557 mb
WebSite: Album Preview
CD1
01. Recorder Sonata in A Minor, HWV 362
02. Violin Sonata in D Major, HWV 371
03. Flute Sonata in B Minor, HWV 367b
04. Recorder Sonata in C Major, HWV 365
05. Oboe Sonata in F Major, HWV 363a
06. Viola da Gamba Sonata in G Minor, HWV 364b
07. Recorder Sonata in B-flat Major, HWV 377
CD2
01. Oboe Sonata in C Minor, HWV 366
02. Flute Sonata in D Major, HWV 378
03. Violin Sonata in D Minor, HWV 359a
04. Recorder Sonata in F Major, HWV 369
05. Oboe Sonata in B-Flat Major, HWV 357
06. Recorder Sonata in G Minor, HWV 360
07. Violin Sonata in A Major, HWV 361
08. Recorder Sonata in F Major, HWV 358
This exceptional double album stands as a landmark historically informed recording of Handel’s solo sonatas, uniting pioneering scholarship, extraordinary period-instrument artistry, and superb audiophile sound in one of the most compelling chamber music portraits of the Baroque era.
The Ganassi Consort, joined by guest violinist Anne Röhrig, illuminate the astonishing breadth of Handel’s imagination across four decades of his creative life, revealing music of remarkable elegance, invention, and emotional depth.
The musicians approach these sonatas not as polite salon works, but as dramatic utterances alive with rhetorical nuance, daring ornamentation, and richly characterized continuo playing. Recorder, flute, oboe, violin, and viola da gamba each speak with a distinctive vocal personality, while Joachim Vogelsänger’s imaginative harpsichord realisations lend the entire set an improvisatory freshness that recalls the spontaneity of Handel’s own circle.
Particular fascination lies in the ensemble’s reconstruction of Handel’s original intentions regarding instrumentation, an issue long obscured by unreliable eighteenth-century editions and publisher interference. Drawing upon autograph sources, historical pitch practices, and the technical possibilities of surviving instruments, the performers illuminate these sonatas with rare authenticity and persuasive musical logic, allowing familiar works to emerge with newly transparent colours and expressive depth.
Recorded in the warmly resonant acoustic of a 13th century church, the album preserves an extraordinary balance between intimacy and architectural space.