Richard Lea - Processional: Organ music by Dom Sebastian Wolff (2026) [Hi-Res]

Artist: Richard Lea
Title: Processional: Organ music by Dom Sebastian Wolff
Year Of Release: 2022 / 2026
Label: Ad Fontes
Genre: Classical
Quality: FLAC (tracks + booklet) [96kHz/24bit]
Total Time: 1:33:10
Total Size: 1.58 GB / 373 MB
WebSite: Album Preview
Tracklist:Title: Processional: Organ music by Dom Sebastian Wolff
Year Of Release: 2022 / 2026
Label: Ad Fontes
Genre: Classical
Quality: FLAC (tracks + booklet) [96kHz/24bit]
Total Time: 1:33:10
Total Size: 1.58 GB / 373 MB
WebSite: Album Preview
Disc 1
01. Processional
02. I. Advent Chorale. Creator of the starry height
03. II. Chorale Prelude on "O come, O come, Emmanuel"
04. III. Chorale Prelude on "Lo! He Comes with Clouds Descending"
05. IV. Chorale Partita on "Unto Us is Born a Son"
06. V. Chorale Prelude on "Christe Redemptor omnium"
07. VI. Chorale Prelude on the Somerset Carol
08. I. Fantasia
09. II. Fugue
10. I. Chorale Prelude on "O Sacred Head, Sore Wounded"
11. II. Fanfare for Holy Saturday. Westminster Festival Mass
12. III. Chorale Prelude on "Aurora lucis rutilat"
13. IV. Entry for Easter Sunday Morning on "Jesus Christ Is Risen Today"
14. V. Chorale Prelude on "At the Lamb's High Feast"
15. VI. Fanfare for Easter Day
Disc 2
01. Carillon "Hommage à Mulet et Vierne"
02. Chorale Partita on "Christ the Lord is Risen Again"
03. I. Introduction
04. II. Chorale
05. III. Fugue
06. Chorale Prelude on a Melody by Orlando Gibbons
07. Chorale Prelude on "Our Father"
08. Chorale Prelude on "Most Ancient of All Mysteries"
09. Chorale Prelude on "Come, Holy Ghost"
10. I. Adagio
11. II. Fugue
12. Chorale Prelude on "Adoro te devote"
13. For a Festive Occasion
14. Chorale Prelude on "Te beata sponsa Christi"
15. Nocturne
16. Fanfare "Cantata for a New Era" (Arr. for Organ by Richard Lea)
The name Dom Sebastian Wolff is synonymous with the music of Buckfast Abbey. Born in Ireland in 1929, Fr Sebastian became a monk of Buckfast in 1948, and has crafted a considerable oeuvre of music including settings of the Mass, responsorial psalms for the complete three-year cycle, and a Requiem. However, it is perhaps the organ which provided his greatest compositional inspiration. In this, the first recording of his complete organ music, Richard Lea presents an authoritative account of the works, following extensive consultation with the composer. This rich corpus of composition has explored a wide range of styles, texts and musical forces, and this recording celebrates Wolff’s significant contribution to the world of organ music in the twentieth century.
‘All of this varied music is positive, uplifting and well worth hearing.’ (British Music Society)
‘Ad Fontes, perhaps the first record label spawned by a monastery, has produced some gems since its inception in 2019… It takes a release such as this to be reminded what a distinguished musician Wolff is… as a record of a character unmatched and largely unknown on the UK’s church music scene, it’s priceless.’ (Gramophone Magazine)
‘Richard Lea’s respect and admiration of Wolff’s music is abundantly clear.’ (RSCM Church Music Quarterly)
‘Richard Lea plays with obvious enthusiasm for the music and uses the Ruffatti organ so well, demonstrating its widely varied registers… Performances and sounds of the organ aside, these discs are really the demonstration of an extensive catalogue of music by a man who has dedicated his life to the liturgies of the Church, and it is a catalogue which deserves to be played and heard more.‘ (Cathedral Music Magazine)
‘All of this varied music is positive, uplifting and well worth hearing.’ (British Music Society)
‘Ad Fontes, perhaps the first record label spawned by a monastery, has produced some gems since its inception in 2019… It takes a release such as this to be reminded what a distinguished musician Wolff is… as a record of a character unmatched and largely unknown on the UK’s church music scene, it’s priceless.’ (Gramophone Magazine)
‘Richard Lea’s respect and admiration of Wolff’s music is abundantly clear.’ (RSCM Church Music Quarterly)
‘Richard Lea plays with obvious enthusiasm for the music and uses the Ruffatti organ so well, demonstrating its widely varied registers… Performances and sounds of the organ aside, these discs are really the demonstration of an extensive catalogue of music by a man who has dedicated his life to the liturgies of the Church, and it is a catalogue which deserves to be played and heard more.‘ (Cathedral Music Magazine)