Chelsea Cutler - IS THIS THE END? (2026) [Hi-Res]

Artist: Chelsea Cutler
Title: IS THIS THE END?
Year Of Release: 2026
Label: Chelsea Cutler LP4
Genre: Pop
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 38:40
Total Size: 89.4 / 278 / 473 MB
WebSite: Album Preview
Tracklist:Title: IS THIS THE END?
Year Of Release: 2026
Label: Chelsea Cutler LP4
Genre: Pop
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 38:40
Total Size: 89.4 / 278 / 473 MB
WebSite: Album Preview
CD1
1. is.it.everything.you.wanted?.v1.12.11.25.wav (2:29)
2. YOU’VE ONLY EVER BEEN MINE (2:55)
3. CAN YOU SHOW ME? (3:01)
4. WHAT ELSE? (2:20)
5. IT’S SUPPOSED TO FEEL LIKE THIS (2:55)
6. GIRLS IN THE BATHROOM (2:42)
7. SORRY I'M OBSESSED WITH YOU (2:59)
8. BAD (2:16)
CD2
1. halfway.through.august.8.19.2025.wav (2:14)
2. DO YOU EVER REALLY KNOW? (2:48)
3. THIS TIME OF THE YEAR (3:37)
4. LIKE I LOVE YOU (3:03)
5. THE CAR RIDE HOME (2:24)
6. IS THIS THE END? (3:03)
Connecticut pop polymath Chelsea Cutler wrote her fourth album in the thick of her late twenties, that time in life when the carefree adventurism of young adulthood inevitably gives way to serious grown-up decisions about what you want to do with your life, and who you want at your side for the long haul.
With IS THIS THE END?, Cutler presents a break-up drama in two acts. In the first part, she bottles up all the exhilaration of falling in love—and the somewhat unhealthy codependency that results—into anthemic, emotionally urgent tracks (“CAN YOU SHOW ME?”, “SORRY I’M OBSESSED WITH YOU”) that hover between the confessional alt-pop of Lorde and the dreamy ’80s sheen of Lover-era Taylor Swift.
But on the flipside, she surveys the aftermath of the split, using post-dubstep production tics to render the mental fogginess of “DO YOU EVER REALLY KNOW?”, while rendering the unfiltered heartache of “THIS TIME OF THE YEAR” with indie-folk brushstrokes.
With IS THIS THE END?, Cutler presents a break-up drama in two acts. In the first part, she bottles up all the exhilaration of falling in love—and the somewhat unhealthy codependency that results—into anthemic, emotionally urgent tracks (“CAN YOU SHOW ME?”, “SORRY I’M OBSESSED WITH YOU”) that hover between the confessional alt-pop of Lorde and the dreamy ’80s sheen of Lover-era Taylor Swift.
But on the flipside, she surveys the aftermath of the split, using post-dubstep production tics to render the mental fogginess of “DO YOU EVER REALLY KNOW?”, while rendering the unfiltered heartache of “THIS TIME OF THE YEAR” with indie-folk brushstrokes.