Ophélie Gaillard, Zoltan Darago, Zachary Wilder, Pulcinella Orchestra - Venezia Sottosopra (Vivaldi, Finazzi) (2026) [Hi-Res]

Artist: Ophélie Gaillard, Zoltan Darago, Zachary Wilder, Pulcinella Orchestra
Title: Venezia Sottosopra (Vivaldi, Finazzi)
Year Of Release: 2026
Label: Aparté
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:22:01
Total Size: 405 MB / 1.44 GB
WebSite: Album Preview
Tracklist:Title: Venezia Sottosopra (Vivaldi, Finazzi)
Year Of Release: 2026
Label: Aparté
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:22:01
Total Size: 405 MB / 1.44 GB
WebSite: Album Preview
1. Anonymous: Balli. Contradanza (Arr. For Cello & Ensemble by Olivier Fourés) (0:38)
2. Vivaldi: Cello Concerto in A Minor, RV 418: I. Allegro (3:58)
3. Vivaldi: Cello Concerto in A Minor, RV 418: II. [Largo] (2:37)
4. Vivaldi: Cello Concerto in A Minor, RV 418: III. Allegro (3:06)
5. Anonymous: Balli. Minuetto alla Scoscese (Arr. For Cello & Ensemble by Olivier Fourés) (1:03)
6. Vivaldi: La Candace o Siano li Veri Amici, RV 704: Aria. Se nemico tu sei (3:08)
7. Vivaldi: Concerto a 4 in G Minor, RV 152: I. Allegro molto (1:39)
8. Vivaldi: Concerto a 4 in G Minor, RV 152: II. Andante molto (1:17)
9. Vivaldi: Concerto a 4 in G Minor, RV 152: III. Allegro molto (1:54)
10. Vivaldi: Orlando finto pazzo, RV 727: Aria. Il destin che mi sovrasta (3:30)
11. Anonymous: Balli. Guerra d'amore (Arr. For Cello & Ensemble by Olivier Fourés) (1:01)
12. Anonymous: Aria veneziana. Cos'è 'sta cosa? (1:57)
13. Vivaldi: Cello Concerto in D Minor, RV 407: I. Allegro (3:13)
14. Vivaldi: Cello Concerto in D Minor, RV 407: II. Largho (3:21)
15. Vivaldi: Cello Concerto in D Minor, RV 407: III. Allegro (2:57)
16. Anonymous: Balli. Sermante (Arr. For Cello & Ensemble by Olivier Fourés) (1:55)
17. Anonymous: Balli. Bertagna (Arr. For Cello & Ensemble by Olivier Fourés) (1:31)
18. Vivaldi: Concerto for Violin and Cello in A Major, RV 546: I. Allegro (3:07)
19. Vivaldi: Concerto for Violin and Cello in A Major, RV 546: II. Andante (2:19)
20. Vivaldi: Concerto for Violin and Cello in A Major, RV 546: III. Allegro (3:08)
21. Vivaldi: Cello Concerto in E-Flat Major, RV 408: II. Largo (3:49)
22. Vivaldi: Orlando, RV 728: Aria. Se cresce un torrente (2:29)
23. Anonymous: Balli. La Pulcinella (Arr. For Cello & Ensemble by Olivier Fourés) (0:46)
24. Anonymous: Aria veneziana. Con Checca, Betta, e Catte (1:17)
25. Vivaldi: Concerto a 4 in B-Flat Major, RV 163 'Conca': I. [Allegro] – Allegro molto (2:10)
26. Vivaldi: Concerto a 4 in B-Flat Major, RV 163 'Conca': II. Andante (0:28)
27. Vivaldi: Concerto a 4 in B-Flat Major, RV 163 'Conca': III. Allegro (1:07)
28. Finazzi: Cantata No. 2: I. Aria. Larghetto. Pianger vidi appreso a'un fonte (6:37)
29. Finazzi: Cantata No. 2: II. Recitativo. Pria si sciolse'in querele (1:12)
30. Finazzi: Cantata No. 2: III. Aria Allegro. Guarda l'affano mio (5:45)
31. Vivaldi: Concerto for Violin and Organ in C Major, RV 808: III. Allegro (Reconstructed by Olivier Fourés) (3:53)
32. Anonymous: Aria veneziana. Si la gondola (5:28)
In eighteenth-century Venice, the festivities never cease: Carnival could last for up to eight months of the year. In the Serenissima, everything becomes mask, metamorphosis and illusion. Sottosopra! – “upside down” — conjures up the topsy-turvy world of Baroque Venice: a city where masks erased hierarchies, where Carnival suspended the rules, and where music became at once mirror and vertigo.
Centred on Ophélie Gaillard’s cello and the voices of countertenor Zoltan Darago and tenor Zachary Wilder, this programme brings together major pages from Vivaldi’s output, but above all a wealth of delightful rarities reflecting a spirit of discovery, effervescence and celebration. The album is completed by a previously unrecorded cantata by Giovanni Finazzi, a castrato and composer who embodies the art of disguise in Baroque Venice.
Centred on Ophélie Gaillard’s cello and the voices of countertenor Zoltan Darago and tenor Zachary Wilder, this programme brings together major pages from Vivaldi’s output, but above all a wealth of delightful rarities reflecting a spirit of discovery, effervescence and celebration. The album is completed by a previously unrecorded cantata by Giovanni Finazzi, a castrato and composer who embodies the art of disguise in Baroque Venice.