Plasticland - Wonder Wonderful Wonderland (1985)

Artist: Plasticland
Title: Wonder Wonderful Wonderland
Year Of Release: 1985
Label: Rykodisc
Genre: Neo-Psychedelia, Garage Rock, Alt Rock, Psyche-Pop
Quality: Flac (tracks)
Total Time: 34:03
Total Size: 240 Mb
WebSite: Album Preview
Tracklist:Title: Wonder Wonderful Wonderland
Year Of Release: 1985
Label: Rykodisc
Genre: Neo-Psychedelia, Garage Rock, Alt Rock, Psyche-Pop
Quality: Flac (tracks)
Total Time: 34:03
Total Size: 240 Mb
WebSite: Album Preview
01. No Shine for the Shoes 2:28
02. Gloria Night 3:15
03. Transparencies, Friends 3:27
04. Fairytale Hysteria 2:28
05. Don't Let It All Pass By 1:20
06. The Gingerbread House 3:58
07. Flower Scene 2:25
08. Processes of the Silverness 2:37
09. Non-Stop Kitchen 2:48
10. Grassland of Reeds and Things 1:43
11. Gloria Night (Reprise) 4:46
12. Wonder Wonderful Wonderland 2:49
"Wonder Wonderful Wonderland" is the second studio album by the American band Plasticland, released in February 1985 on Pink Dust, a subsidiary of Enigma Records.
The album is considered one of the high points of the American neo-psychedelic movement of the 1980s. Unlike their Californian peers Paisley Underground, this Milwaukee-based band focused less on folk rock than on British psychedelia of the late 1960s and classic garage rock.
The band, led by the creative duo of Glenn Rehse and John Frankovic, recorded the album under mild pressure from the label, which insisted on producer Paul B. Cutler (guitarist for The Dream Syndicate). However, the musicians largely ignored his commercial advice and created an uncompromising, trippy, and dreamlike soundscape.
The album is considered one of the high points of the American neo-psychedelic movement of the 1980s. Unlike their Californian peers Paisley Underground, this Milwaukee-based band focused less on folk rock than on British psychedelia of the late 1960s and classic garage rock.
The band, led by the creative duo of Glenn Rehse and John Frankovic, recorded the album under mild pressure from the label, which insisted on producer Paul B. Cutler (guitarist for The Dream Syndicate). However, the musicians largely ignored his commercial advice and created an uncompromising, trippy, and dreamlike soundscape.