Martin Helmchen - Schubert: Piano Sonatas, Vol. 2 (2026) [Hi-Res]
Artist: Martin Helmchen
Title: Schubert: Piano Sonatas, Vol. 2
Year Of Release: 2026
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:04:05
Total Size: 351 MB / 1.88 GB
WebSite: Album Preview
Tracklist:Title: Schubert: Piano Sonatas, Vol. 2
Year Of Release: 2026
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:04:05
Total Size: 351 MB / 1.88 GB
WebSite: Album Preview
1. Schubert: Piano Sonata in E-Flat Major, D. 568: I. Allegro moderato (9:11)
2. Schubert: Piano Sonata in E-Flat Major, D. 568: II. Andante molto (5:25)
3. Schubert: Piano Sonata in E-Flat Major, D. 568: III. Menuetto. Allegretto (3:53)
4. Schubert: Piano Sonata in E-Flat Major, D. 568: IV. Allegro moderato (7:19)
5. Schubert: Piano Sonata in A Minor, D. 845: I. Moderato (11:55)
6. Schubert: Piano Sonata in A Minor, D. 845: II. Andante poco mosso (11:55)
7. Schubert: Piano Sonata in A Minor, D. 845: III. Scherzo. Allegro vivace (7:26)
8. Schubert: Piano Sonata in A Minor, D. 845: IV. Rondo. Allegro vivace (5:02)
9. Schubert: Piano Sonata in F Minor, D. 625: I. Allegro (Partial Completion by Martin Helmchen and Paul Badura-Skoda) (10:35)
10. Schubert: Piano Sonata in F Minor, D. 625: II. Scherzo. Allegretto (5:45)
11. Schubert: Piano Sonata in F Minor, D. 625: III. Adagio, D. 505 (3:54)
12. Schubert: Piano Sonata in F Minor, D. 625: IV. Rondo. Allegro (6:37)
13. Schubert: Piano Sonata in G Major, D. 894: I. Molto moderato e cantabile (12:47)
14. Schubert: Piano Sonata in G Major, D. 894: II. Andante (8:41)
15. Schubert: Piano Sonata in G Major, D. 894: III. Menuetto. Allegro moderato (4:17)
16. Schubert: Piano Sonata in G Major, D. 894: IV. Allegretto (9:31)
Martin Helmchen continues his complete recording of Schubert’s piano sonatas, comprising four double albums to be released between now and 2028, the bicentenary of the composer’s death. This volume includes Sonatas D. 568 (1817), D. 845 (1825) and D. 625 (1818), the order of the movements of which ‘remains uncertain’, as Helmchen points out. He has chosen to complete certain movements, drawing inspiration from the eminent pianist Paul Badura-Skoda. The programme concludes with the intense and sombre Sonata in G major D. 894, composed in 1826 and published in 1827 under the title ‘Fantaisie’. Like the rest of the cycle, it was recorded at the Kronberg Academy on a Bösendorfer piano.
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