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Released in 2000 and re-released (same) in 2010.
It's about time to revise it ?
Should I try for daily limit :p
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Thank you mate!

@WalterBL
Thank you for feedback ^.^
Mahler wrote a call not only on No. 10 but also on No. 9 score which is well known, I think because even on Wikipedia in Russian and French it's referred.
In my small score I cannot find it but from my memory Donald Mitchell and Henry-Louis de la Grange wrote it but not for sure because it's 20 years ago :p
3rd movement main part is said a struggle against critics (my brothers in Apollo) while slow part is a peace at home, love.
Before Mahler composed No. 9, he had poor health (Bernstein found unstable heartbeat and Ádám heart attack at 1st movement).
His asking for help to her is weak from a sick or kid, not necessarily passionate like Tristan.
Ádám said it's from "dying" Mahler.
In mind of dying person on bed, various things of his life appear and disappear and I applied them to No. 9 from Ádám's suggestion.
An interpretation of 4th movement like Ádám is 1st for me and honestly I'm confused, I don't think it's right.
Also about 2nd & 3rd movements, I wonder it recurred in mind of a sick but performance is brilliant.
While composing No. 9 in Toblach, his health got better, already not a dying sick and his cause of death is a sudden infection.
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What a classic album already! Thank you so much :)

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<<And Mahler wrote a call to Alma on score.>>

If you meant a dedication to Alma it concerns the 8th and allegedly it was on a handwritten variant of the 10th. That's it as far as I know.

I have read the booklet, particularly the part of it written by Adam Fischer, and couldn't find any reference to Alma.

As to your "titles" I'd agree with nos. 1 & 2. Andante comodo is indeed about anxiety caused most likely by his disease which appeared to be der Krank zum Todd. The 2nd one ("Im Tempo eines gemachlichen Landlers") is similar to the corresponding ones in the 1st and even more in the 4th symphonies based on laendlers which are associated with his Moravian childhood. However I'd disagree with you in regard of the 3d and 4th movement. The Rondo-Burleske (except for the middle part) is a short glance from self reflection (dominating over the whole symphony) into a crazy world, full of irony and sarcasm. As to the middle episode which motif is similar to Kindertotenlieder No. 4 it is a typical Mahlerian flash from an ugly world to a paradise lost, a past which is gone for good, the paradise of lost childhood (his or his children like in Kindertotenlieder), so a direct link to Alma is rather vague. Whatsoever the middle episode can not title the whole movement being just a contrast to crazy Burleske. Indeed it appears again in coda of the last movement but why the call to Alma for help? In my mind call for help is rather passionate, a need to have the helper close to be able to touch and being touched. There seems to be nothing like that. Mahler does realize his helplessness while dying and all the symphony about dying while the Finale, the greatest ever music (not only by Mahler) is about resignation, detaching from mundane reality which turns to exist in his consciousness just as a memory of love and happiness. And in dying his love is getting impersonal letting him accept the world as a whole as well as his death.
Sorry if my disagreement disappointed you. It wasn't my goal. Just like you I wanted to express my feelings caused by this greatest music I have been listening to for 5 decades ))

Now I have yet to listen to the recording and to thank fantastic for providing us with the possibility to do this!

PS. Sorry for personal topic. I haven't got your response to my recent personal messages. Have you seen them?

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Many thanks for the HD FLAC sound Fantastik!

Many, many volumes are missing: 41-49, and 59-75. Very frustrating.

How do you get tracks from the iso image?

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Many thanks For the 2019 Edition in FLAC DeepOOO!

Use Cue Splitter

Many thanks for this bonus version in FLAC DeepOOO!