Many people praise him, perfect baton technique and high sense of music.
But somehow he doesn't make me satisfied so much, I cannot now explain well why.
Maybe fast response doesn't require driving or I want him sharper and to take a step forward ?
Or he just holds back to major orchestras ?
I miss the era of CBSO, especially Shostakovich No. 7 and Eine Alpensinfonie are his best for me unique to ex-trumpeter :))
Just a minor opinion :p
Tone is his taste, a little lower-key than usual Wiener Philharmoniker.
Thanks

hartelijk dank!

Many thanks

thanks a lot

Thank you
great

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Super
un grand merci
RIP Maurice
tu manques chez les trompettistes

Many thanks too

thanks for lossless

many thanks too

Many thanks too

Thanks yarki, I've been looking forward to this one!

Kairos! Many thanks

many thanks

Many thanks for HD tracks.

Many thanks for HD tracks!

Many thanks for HD tracks.

For beginners when the exposition is repeated, a bridge appears (5'41"-6'07") in 1st movement of D. 960.
If not repeated, no bridge.
Alfred Brendel said "This bridge is ugly" so he did never record it.
Do you think the exposition should be repeated or which do you like ?
Dina is a daughter of Anatol Ugorski, changes tempo like him but more calculatedly.
Her non legato of left hand is worth our attention but her forte and drive ...
She passed away of cancer this September

Many thanks for lossless & HD tracks.

Many thanks for lossless & HD tracks!!

thanks for lossless.

thanks a lot for lossless

Many thanks for HD tracks.

Many thanks for lossless.

Many thanks for lossless.

Many thanks for lossless.

Many thanks for lossless.

thanks a lot

thanks for lossless.

thanks a lot