Jef Neve - One (2014)
Artist: Jef Neve
Title Of Album: One
Year Of Release: 2014
Label: Real World Records / B&W Society of Sound
Genre: Jazz, Piano
Quality: 320 Kbps
Total Time: 74:37 min
Total Size: 171 MB
Tracklist:
01. One Leaf, A Thousand Lives
02. Lush Life
03. Could It Be True
04. Windmills And Turntables
05. Half A Day Away
06. We Zullen Doorgaan
07. Solitude
08. Formidable
09. A Case Of You
10. Flying To Diani Beach
11. Never Give Up
12. Night Sky (bonus track)
The album, One, was recorded at the legendary Abbey Road Studios and after more than a decade travelling around the world, playing with all sorts of different bands, and being the driving force behind the award-wining jazz group the Jef Neve Trio, this is Neve’s first release as a solo artist. One piano, a pianist and the silence of the hall. Jef Neve has written a number of unique interpretations and new pieces too. The musical wealth extremely striking, so don't be surprised if you recognize Goose or Joni Mitchell.
Here, Jef explains the motivation behind going solo and how significant Abbey Road and Bowers & Wilkins were to the recording. “After more than a decade of traveling around the globe with all sorts of bands in different line-ups, I felt that I was ready to record my first ever solo album. I started to compose a huge number of songs during all my travels, in hotel lobbies, airport lounges, during endless bus drives etc. Then, finally the day came closer, that first day of recording, just me, my piano and a little bit further in the control room my dearest sound engineer. No visitors allowed. I had to get out of my comfort zone and into the music, totally, without any support. There was just an empty room except for some microphones and my piano, for the first time no other musicians to help me out.
At first I felt naked, deserted, a big confrontation with myself, as if I was looking into a mirror trying to reveal the reflection of my own personality. It took me half a day to reach that point where I could start to let go of my fears and energize the music, aiming for melodies that were never done before. After the first recording session, my whole point of view of making a good new album changed completely, it had to be no less than perfect and from then on I accepted the personal challenge to do absolutely everything possible to make this album, whatever it would take. For me it’s a unique opportunity since the sound of the speakers is so clear. Thanks to the Bowers & Wilkins speakers, I had control over the music. The difference is enormous when composing on the piano.”
Here, Jef explains the motivation behind going solo and how significant Abbey Road and Bowers & Wilkins were to the recording. “After more than a decade of traveling around the globe with all sorts of bands in different line-ups, I felt that I was ready to record my first ever solo album. I started to compose a huge number of songs during all my travels, in hotel lobbies, airport lounges, during endless bus drives etc. Then, finally the day came closer, that first day of recording, just me, my piano and a little bit further in the control room my dearest sound engineer. No visitors allowed. I had to get out of my comfort zone and into the music, totally, without any support. There was just an empty room except for some microphones and my piano, for the first time no other musicians to help me out.
At first I felt naked, deserted, a big confrontation with myself, as if I was looking into a mirror trying to reveal the reflection of my own personality. It took me half a day to reach that point where I could start to let go of my fears and energize the music, aiming for melodies that were never done before. After the first recording session, my whole point of view of making a good new album changed completely, it had to be no less than perfect and from then on I accepted the personal challenge to do absolutely everything possible to make this album, whatever it would take. For me it’s a unique opportunity since the sound of the speakers is so clear. Thanks to the Bowers & Wilkins speakers, I had control over the music. The difference is enormous when composing on the piano.”
