Paul Motian - Standards plus One (2015)
Artist: Paul Motian
Title Of Album: Standards plus One
Year Of Release: 2015
Label: Winter & Winter
Genre: Jazz
Quality: 320 / FLAC
Total Time: 55:05 min
Total Size: 126 / 618 MB
WebSite:
Tracklist:
1. They Didn't Believe Me 04:23
2. How Deep Is the Ocean 06:50
3. You and the Night and the Music 05:36
4. You Took the Words Right Out of My Heart 07:59
5. Someone to Watch Over Me 09:22
6. Just One of Those Things 06:17
7. It Might as Well Be Spring 05:55
8. It Should've Happened a Long Time Ago 08:47
Paul Motian - The Drummer
A masterfully subtle drummer and a superb colorist, Paul Motian is also an advanced improviser and a bandleader with a taste for challenging post-bop. Born Stephen Paul Motian in Philadelphia in 1931, he grew up in Providence and began playing the drums at age 12, eventually touring New England in a swing band. He moved to New York in 1955 and played with numerous musicians — including Thelonious Monk, Lennie Tristano, Coleman Hawkins, Tony Scott, and George Russell — before settling into a regular role as part of Bill Evans' most famous trio (with bassist Scott LaFaro), appearing on his classics Sunday at the Village Vanguard and Waltz for Debby. In 1963, Motian left Evans' group to join up with Paul Bley for a year or so, and began a long association with Keith Jarrett in 1966, appearing with the pianist's American-based quartet through 1977. In addition, Motian freelanced for artists like Mose Allison, Charles Lloyd, Carla Bley, and Charlie Haden's Liberation Music Ensemble, and turned down the chance to be John Coltrane's second drummer. In 1988 Motian moved to JMT, where he recorded a long string of fine albums beginning with Monk in Motian. During the 90s, he also led an ensemble called the Electric Bebop Band, which featured Joshua Redman. In 1998, Motian signed on with the Winter & Winter label, where he began recording another steady stream of albums.
Bill Frisell- Guitar
Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Bill studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music. In this period, he toured with Michael Gibbs and first recorded with German bassist Eberhard Weber. Bill moved to the New York City area in 1979 and stayed until 1989. He now lives in Seattle.
"When I was 16, I was listening to a lot of surfing music, a lot of English rock. Then I saw Wes Montgomery and somehow that kind of turned me around. Later, Jim Hall made a big impression on me and I took some lessons with him. I suppose I play the kind of harmonic things Jim would play but with a sound that comes from Jimi Hendrix", Frisell told Wire. Bill also lists Paul Motian, Thelonious Monk, Aaron Copland, Bob Dylan, Miles Davis and his teacher, Dale Bruning, as musical influences.
A masterfully subtle drummer and a superb colorist, Paul Motian is also an advanced improviser and a bandleader with a taste for challenging post-bop. Born Stephen Paul Motian in Philadelphia in 1931, he grew up in Providence and began playing the drums at age 12, eventually touring New England in a swing band. He moved to New York in 1955 and played with numerous musicians — including Thelonious Monk, Lennie Tristano, Coleman Hawkins, Tony Scott, and George Russell — before settling into a regular role as part of Bill Evans' most famous trio (with bassist Scott LaFaro), appearing on his classics Sunday at the Village Vanguard and Waltz for Debby. In 1963, Motian left Evans' group to join up with Paul Bley for a year or so, and began a long association with Keith Jarrett in 1966, appearing with the pianist's American-based quartet through 1977. In addition, Motian freelanced for artists like Mose Allison, Charles Lloyd, Carla Bley, and Charlie Haden's Liberation Music Ensemble, and turned down the chance to be John Coltrane's second drummer. In 1988 Motian moved to JMT, where he recorded a long string of fine albums beginning with Monk in Motian. During the 90s, he also led an ensemble called the Electric Bebop Band, which featured Joshua Redman. In 1998, Motian signed on with the Winter & Winter label, where he began recording another steady stream of albums.
Bill Frisell- Guitar
Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Bill studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music. In this period, he toured with Michael Gibbs and first recorded with German bassist Eberhard Weber. Bill moved to the New York City area in 1979 and stayed until 1989. He now lives in Seattle.
"When I was 16, I was listening to a lot of surfing music, a lot of English rock. Then I saw Wes Montgomery and somehow that kind of turned me around. Later, Jim Hall made a big impression on me and I took some lessons with him. I suppose I play the kind of harmonic things Jim would play but with a sound that comes from Jimi Hendrix", Frisell told Wire. Bill also lists Paul Motian, Thelonious Monk, Aaron Copland, Bob Dylan, Miles Davis and his teacher, Dale Bruning, as musical influences.
or
or