Barbera Dane - Im On My Way (2013)

  • 02 Jun, 10:23
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Artist:
Title: Im On My Way
Year Of Release: 2013
Label: Fresh Sound Records (FSR 781)
Genre: Vocal Jazz
Quality: FLAC
Total Time: 1:14:27
Total Size: 342 MB
WebSite:

Tracklist:

01. Barbera Dane – Take It Slow & Easy (2:25)
02. Barbera Dane – I’m On My Way (2:26)
03. Barbera Dane – Draggin’ My Heart Around (2:05)
04. Barbera Dane – Crazy Blues (3:22)
05. Barbera Dane – Goodbye Daddy Goodbye (2:13)
06. Barbera Dane – Cake Walking Babies From Home (2:12)
07. Barbera Dane – Wild Women Don’t Get The Blues (2:16)
08. Barbera Dane – This Little Light Of Mine (2:57)
09. Barbera Dane – Hurry Up Sundown Let Tomorrow Come (3:20)
10. Barbera Dane – The Hammer Song (3:02)
11. Barbera Dane – Mama Don’t Allow No Twistin’ (2:20)
12. Barbera Dane – I’m On My Way (Northern Soul 45 Version) (3:25)
13. Barbara Dane & George Lewis With Dick Oxtot’s Jazz Quartet – The Glory Of Love (3:55)
14. Barbara Dane & George Lewis With Dick Oxtot’s Jazz Quartet – Good Morning Blues (4:06)
15. Barbera Dane – Trouble In Mind (2:58)
16. Barbera Dane – Ain’t Nobody Got The Blues Like Me (3:23)
17. Barbera Dane – How Long Blues (1:57)
18. Barbera Dane – When I Was A Young Girl (3:40)
19. Barbera Dane – In The Evenin’ (When The Sun Goes Down) (2:51)
20. Barbera Dane – Since I Fell For You (2:42)
21. Barbera Dane – Girl Of Constant Sorrow (4:01)
22. Barbera Dane – I Know Where I’m Going (2:32)
23. Barbera Dane – Don’t Sing Love Songs (3:57)
24. Barbera Dane – Old Fashioned Love / I’m On My Way (6:35)

Barbara Dane (1927) started her musical career in folk music and traditional jazz circles in the mid Forties, first in her native Detroit and then in San Francisco, where in 1954 she came into contact with some local jazz revivalists, including trombonist Bob Mielke and banjo player Dick Oxtot. During her high school years, she had received training as an operatic contralto, but Mielke and Oxtot encouraged her to probe further into the blues with their band, the Bearcats. From the time she first stirred interest among aficionados and critics in San Francisco, she developed into virtually the only white singer of classic blues at the time. Both albums here, made in Los Angeles, where she moved to in 1958, show her in excellent company. On Livin with the Blues (1959), she belts out her message in an all-star group conducted by pianist Earl Hines. It is interesting to hear the splendid trumpet work of Benny Carter, Shelly Manne playing traditional drums, and Plas Johnson soloing to good effect in this context.
On My Way (1962) also presents a different side of Miss Dane s expressiveness: a deep and fervent spirituality as fundamental as her blues. Her accompanying group included pianist and cornet player Kenny Whitson, whose performance simultaneously in both instruments is astonishing, particularly on cornet. Barbara Dane is more than a singer, she is also a guitarist, passionately dedicated researcher, friend of forgotten pioneers, and sponsor of unpopular causes.






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