Los Músicos de su Alteza & Luis Antonio González - Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi (2012) [Hi-Res]
Artist: Los Músicos de su Alteza, Luis Antonio González
Title: Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi
Year Of Release: 2012
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 01:04:09
Total Size: 310 mb / 1.02 gb
WebSite: Album Preview
TracklistTitle: Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi
Year Of Release: 2012
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 01:04:09
Total Size: 310 mb / 1.02 gb
WebSite: Album Preview
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01. Un peccator pentito, cantata à 5: I. Mi son fatto nemico
02. Un peccator pentito, cantata à 5: II. Taci, mal cauto, taci
03. Un peccator pentito, cantata à 5: III. Colpe mie, venite a piangere
04. Un peccator pentito, cantata à 5: IV. Comparir voi non osate
05. Un peccator pentito, cantata à 5: V. Vedete che quel Grande
06. Un peccator pentito, cantata à 5: VI. Inteneritevi, petti crudeli
07. Pentito si rivolge a Dio, aria à 3
08. Passacaglio
09. Jephte, oratorio à 6: I. Cum vocasset in proelium
10. Jephte, oratorio à 6: II. Cum autem victor Jephte
11. Jephte, oratorio à 6: III. Cum vidisset Jephte
12. Jephte, oratorio à 6: IV. Abiit ergo in montes
13. Jephte, oratorio à 6: V. Plorate filii Israel
Composers
Carissimi, Giacomo (1604-74)
Marini, Biagio (c.1597-1665)
Mazzocchi, Domenico (1592-1665)
Rossi, Luigi (1597-1653)
Los Músicos de Su Alteza has since the release of its first two albums on Alpha (Samaniego – Alpha 153 & Nebra – Alpha 171) established a reputation as the champion of unjustly forgotten Spanish music. In this new recording based on the themes of Torment and Ecstasy dear to the baroque mind, Luis Antonio González provides us with a selection of works that are as unexpected as they are unknown, tying everything together in the end with a masterpiece by Carissimi: Jephte.
The musicians breathe new life into 1640s Rome and all the emotions conveyed by the Cantatas on this recording: sin, guilt, regret, penitence, punishment, supreme joy, ecstasy and glory... This is a haunting album on which the artists take the link between text and music to a new jubilatory high as well as a great illustration of the harmonic wealth that played a determining role in the history of musical expression in general, and the first baroque period in particular.