Ophélie Gaillard & Pulcinella Orchestra - Carl Philipp Emanuel Bach: Concerti, Sinfonia and Sonata (2014) [5.1 Hi-Res]
Artist: Ophélie Gaillard, Pulcinella Orchestra
Title: Carl Philipp Emanuel Bach: Concerti, Sinfonia and Sonata
Year Of Release: 2014
Label: Aparté
Genre: Classical
Quality: multi-channel 5.1 flac 24bits - 192.0kHz +booklet
Total Time: 01:11:58
Total Size: 6 gb
WebSite: Album Preview
TracklistTitle: Carl Philipp Emanuel Bach: Concerti, Sinfonia and Sonata
Year Of Release: 2014
Label: Aparté
Genre: Classical
Quality: multi-channel 5.1 flac 24bits - 192.0kHz +booklet
Total Time: 01:11:58
Total Size: 6 gb
WebSite: Album Preview
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01. Concerto pour violoncelle en La Mineur, Wq 170: I. allegro assai
02. Concerto pour violoncelle en La Mineur, Wq 170: II. andante
03. Concerto pour violoncelle en La Mineur, Wq 170: III. allegro assai
04. Sinfonia No. 5 en Si Mineur, Wq 182: I. allegretto
05. Sinfonia No. 5 en Si Mineur, Wq 182: II. larghetto
06. Sinfonia No. 5 en Si Mineur, Wq 182: III. presto
07. Concerto pour violoncelle en La Majeur, Wq 172: I. allegro
08. Concerto pour violoncelle en La Majeur, Wq 172: II. largo
09. Concerto pour violoncelle en La Majeur, Wq 172: III. allegro assai
10. Sonate en Ut Mineur pour deux violons et basse "Sanguineus & Melancholicus", Wq 161: I. allegretto
11. Sonate en Ut Mineur pour deux violons et basse "Sanguineus & Melancholicus", Wq 161: II. adagio
12. Sonate en Ut Mineur pour deux violons et basse "Sanguineus & Melancholicus", Wq 161: III. allegro
A portrait, on the tercentenary of the composer's birth, of Carl Philipp Emanuel Bach (1714-1788), probably the most gifted of the sons of Johann Sebastian Bach. Highly admired in his own century by Haydn, Gluck and Mozart, he stands out today as a brilliant and highly original composer. For CPE Bach, music had to be an expression of personal feelings and to achieve his aim, he revolutionised the established principles of form, harmony and rhythm. The Trio Sonata 'Sanguineus und Melancholicus' is a rarity in the composer's output in that it is a quasi-programmatic work. It presents a conversation between one sanguine (first violin) and the other melancholic (second violin). The same duality is found throughout the recordings presented here, from the well-known Sinfonia No. 5 to the two brilliant cello concertos. Under the bow of cellist Ophélie Gaillard, at the head of the Pulcinella Orchestra, these pieces come as a revelation!