Hasidic New Wave - Jews And The Abstract Truth (1997)

  • 25 Apr, 09:48
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Artist:
Title: Jews And The Abstract Truth
Year Of Release: 1997
Label: Knitting Factory Works
Genre: Jazz, World Fusion
Quality: FLAC (tracks+.cue,log)
Total Time: 01:01:02
Total Size: 346 Mb
WebSite:

Tracklist:

1. Satmer Hakafos #6 (Hasidic New Wave ...) 8:35
2. Sim Shalom (London) 10:05
3. Tzur Mishelo (Hasidic New Wave ...) 6:56
4. Last Temptation of Lady L [live] (Wall) 6:07
5. Eliyahu Hanove [live] (London, Traditional) 3:30
6. V'smachta (Hasidic New Wave ...) 3:01
7. Welcome to the McDonald's in Dachau (Goldberg, London, Wall) 4:46
8. Debka (Hasidic New Wave ...) 5:30
9. Bobover Wedding March (Hasidic New Wave ...) 5:40
10 Finale: 'Juba'/Sh#6 (Reprise) [live] (Hasidic New Wave ...) 6:52

Personnel:
Bass – Kenny Davis
Drums – Aaron Alexander
Guitar – David Fiuczynski
Tenor Saxophone – Greg Wall
Trumpet – Frank London
Guests:
Bass – Bentsi Gafni (tracks: 4, 5, 10)
Drums, Percussion – Shlomo Deshet (tracks: 4, 5, 10)
Organ - Anthony Coleman (10)
Bass Clarinet - Ben Goldberg (7)
Guitar - Gary Lucas (10)

Aside from coming up with one of the great album titles in memory, Hasidic New Wave, an avant klezmer band organized by trumpeter Frank London and saxophonist Greg Wall, put together one of the outstanding recordings from this genre that developed in downtown New York City in the '90s. Most of the pieces are from the traditional repertoire, but are attacked in various manners with free jazz squalls abutting grunge rock explosions, somber reflections alongside psychedelic guitar explosions. London is a superb trumpeter in any context, and his playing on songs like the wryly titled "Welcome to the McDonald's in Dachau" compares favorably in quality to almost any other player in the jazz avant-garde. When the group rolls into the funkafied finale, with guest contributions from organist Anthony Coleman and gonzo guitarist Gary Lucas, it's clear that this is not your father's klezmer. Jews and the Abstract Truth may owe little to Oliver Nelson, but it is a fine recording and an excellent introduction to the genre.





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