Anatol Ugorski - The Complete Recordings On Deutsche Grammophon (2018)
09 Jul, 20:43
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Artist: Anatol Ugorski Title: The Complete Recordings On Deutsche Grammophon Year Of Release: 2018 Label: Deutsche Grammophon Genre: Classical Quality: FLAC (image+.cue) Total Time: 14:26:04 Total Size: 2.44 GB WebSite: Album Preview
CD 1: Beethoven: 33 Piano Variations In C Major, Op.120 On A Waltz By Anton Diabelli CD 2: Mussorgsky: Pictures At An Exhibition / Stravinsky: Petrouchka - Three Movements For Piano - 1921 Version CD 3: Beethoven: Piano Sonata No.32, Op.111; Bagatelles CD 4: Schumann: Davidsb?ndlert?nze, Op.6 / Schubert: Wanderer-Fantasie CD 5: Messiaen: Catalogue d'oiseaux CD 6: Messiaen: Catalogue d'oiseaux CD 7: Messiaen: Catalogue d'oiseaux; La Fauvette des jardins CD 8: Short Stories: Busoni, Liszt, Debussy etc. CD 9: Brahms: Piano Sonata No.1 In C, Op.1; Piano Sonata No.2 In F Sharp Minor, Op.2 CD 10: Brahms: Piano Sonata 3, H?ndel-Variationen CD 11: Chopin CD 12: Scriabin: Piano Concerto, Le Po?me de l'Extase, Prom?th?e CD 13: Scriabin: Piano Sonatas 2, 3, 5, 9
Disc: 1 1. Tema (Vivace) 2. Variation I (Alla marcia maestoso) 3. Variation II (Poco allegro) 4. Variation III (L'istesso tempo) 5. Variation IV (Un poco più vivace) 6. Variation V (Allegro vivace) 7. Variation VI (Allegro ma non troppo e serioso) 8. Variation VII (Un poco più allegro) 9. Variation VIII (Poco vivace) 10. Variation IX (Allegro pesante e risoluto) 11. Variation X (Presto) 12. Variation XI (Allegretto) 13. Variation XII (Un poco più moto) 14. Variation XIII (Vivace) 15. Variation XIV (Grave e maestoso) 16. Variation XV (Presto scherzando) 17. Variation XVI (Allegro) 18. Variation XVII 19. Variation XVIII (Poco moderato) 20. Variation XIX (Presto) 21. Variation XX (Andante) 22. Variation XXI (Allegro con brio - Meno allegro - Tempo I) 23. Variation XXII (Allegro molto): Alla "Notte e giorno faticar" di Mozart 24. Variation XXIII (Allegro assai) 25. Variation XXIV: Fughetta (Andante) 26. Variation XXV (Allegro) 27. Variation XXVI 28. Variation XXVII (Vivace) 29. Variation XXVIII (Allegro) 30. Variation XXIX (Adagio ma non troppo) 31. Variation XXX (Andante, sempre cantabile) 32. Variation XXXI (Largo, molto espressivo) 33. Variation XXXII: Fuga (Allegro - Poco adagio) 34. Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro)
Disc: 2 1. Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto - attacca 2. Gnomus.Sempre vivo 3. Promenade.Moderato commodo assai e con delicatezza - attacca 4. The Old Castle.Andantino molto cantabile e con dolore 5. Promenade.Moderato non tanto,pesamente - attacca 6. 3. The Tuileries Gardens 7. Bydlo.Sempre moderato,pesante 8. Promenade.Tranquillo - attacca 9. 5. Ballet Of The Chickens In Their Shells 10. Samuel Goldenberg and Schmuyle.Andante.Grave-energico - Andantino 11. Promenade.Allegro giusto,nel modo russico, poco sostenuto - attacca 12. The Market-place at Limoges.Allegretto vivo,sempre scherzando - attacca 13. The Catacombs (Sepulchrum romanum).Largo - attacca 14. Con mortuis in lingua mortua.Andante non troppo,con lamento 15. The Hut On Fowl's Legs (Baba-Yaga).Allegro con brio, feroce - Andante mosso - Allegro molto - attacca 16. The Great Gate Of Kiev.Allegro alla breve.Maestoso.Con grandezza 17. 4. Russian Dance 18. Petrouchka's Room 19. The Shrovetide Fair
Disc: 3 1. 1. Maestoso - Allegro con brio ed appassionato 2. 2. Arietta - Adagio molto semplice e cantabile 3. 1. Andante con moto 4. 2. Allegro 5. 3. Andante 6. 4. Presto 7. 5. Quasi Allegretto 8. 6. Presto - Andante amabile e con moto 9. Bagatelle In A Minor, WoO 59 -"Für Elise" 10. Rondo A Capriccio In G, Op.129 "Die Wut über den verlornen Groschen" For Piano
Disc: 4 1. 1. Lebhaft 2. 2. Innig 3. 3. Mit Humor 4. 4. Ungeduldig 5. 5. Einfach 6. 6. Sehr rasch 7. 7. Nicht schnell 8. 8. Frisch 9. 9. Lebhaft 10. 10. Balladenmässig, sehr rasch 11. 11. Einfach 12. 12. Mit Humor 13. 13. Wild und lustig 14. 14. Zart und singend 15. 15. Frisch 16. 16. Mit gutem Humor 17. 17. Wie aus der Ferne 18. 18. Nicht schnell 19. 1. Allegro con fuoco, ma non troppo 20. 2. Adagio 21. 3. Presto 22. 4. Allegro
Disc: 5 1. 1. Le Chocard des Alpes 2. 2. Le Loriot 3. 3. Le Merle bleu 4. 4. Le Traquet stapazin 5. 5. La chouette hulotte 6. 6. L'Alouette Lulu
Disc: 6 1. 7. La Rousserolle effarvatte 2. 8. L'Alouette calandrelle 3. 9. La Bouscarle 4. 10. Le Merle de roche
Disc: 7 1. 11. La Buse variable 2. 12. Le Traquet rieur 3. 13. Le Courlis cendré 4. La Fauvette des jardins
Disc: 8 1. 3. Giga, Bolero e Variazione. Studie nach Mozart 2. Liebestraum No. 3 3. 3. Clair de lune 4. No. 2 Scherzo In E Minor 5. 7. Träumerei 6. Allegro agitato 7. 1. Poème In F Sharp 8. 2. Poème In D 9. No.2 Prelude In C Sharp Minor 10. 1. Prélude: Andante 11. 2. Nocturne: Andante 12. Moderato - Allegro vivace 13. 4. Rondo (presto). "Perpetuum mobile" 14. Moderato 15. Cantabile in B flat 16. Fugue in A minor 17. Largo in E flat, Op.posth.
Disc: 9 1. 1. Allegro 2. 2. Andante 3. 3. Scherzo (Allegro molto e con fuoco) 4. 4. Finale (Allegro con fuoco) 5. 1. Allegro non troppo, ma energico 6. 2. Andante con espressione 7. 3. Scherzo. Allegro 8. 4. Finale (Introduzione. Sostenuto - Allegro non troppo e rubato) 9. Chaconne
Disc: 10 1. 1. Allegro maestoso 2. 2. Andante espressivo 3. 3. Scherzo (Allegro energico) 4. 4. Intermezzo (Andante molto) 5. 5. Finale (Allegro moderato ma rubato) 6. Aria 7. Variation I 8. Variation II 9. Variation III 10. Variation IV 11. Variation V 12. Variation VI 13. Variation VII 14. Variation VIII 15. Variation IX 16. Variation X 17. Variation XI 18. Variation XII 19. Variation XIII 20. Variation XIV 21. Variation XV 22. Variation XVI 23. Variation XVII 24. Variation XVIII 25. Variation XIX 26. Variation XX 27. Variation XXI 28. Variation XXII 29. Variation XXIII 30. Variation XXIV 31. Variation XXV 32. Fuga
Disc: 11 1. Allegro maestoso 2. Allegro ma non troppo 3. Polonaise No.10 in F minor, Op.71 No.3 4. Polonaise in B flat minor, Op.posth. 5. Polonaise in G flat, Op.posth. 6. Polonaise in G minor, Op.posth. 7. Polonaise in B flat, Op.posth. 8. Polonaise in A flat, Op.posth. 9. Moderato 10. Introduzione. Allegro molto - Allegro vivace 11. Presto 12. Marche funèbre in C minor, Op.72,2 13. Etude in F minor, Op.posth. " Méthode des méthodes " 14. Etude in A flat, Op.posth. " Méthode des méthodes " 15. Etude in D flat, Op.posth. " Méthode des méthodes " 16. No.1 in D Major 17. No.2 in G Major 18. No.3 in D flat Major
Disc: 12 1. Le Poème de l'Extase, Op.54 - Chicago Symphony Orchestra, Pierre Boulez 2. 1. Allegro - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez 3. 2. Andante - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez 4. 3. Allegro - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez 5. Promethée - Le Poème du Feu, Op.60 - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe
Disc: 13 1. 1. Andante 2. 2. Presto 3. Piano Sonata No.5 In F Sharp Major, Op.53 4. Piano Sonata No.9, Op.68 "Black Mass" 5. 1. Drammatico 6. 2. Allegretto 7. 3. Andante 8. 4. Presto con fuoco
Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs. Deeply rooted in the often-cited “Russian tradition” he is also a highly individualistic virtuoso personality. His distinctive commitment to 20th century composers like Messiaen and Boulez is characterized in an anecdote from 1967 when he attended one of the few guest concerts of Pierre Boulez in the Soviet Union. Ugorski was so enthusiastic in public about the Boulez program featuring Schoenberg, Berg and Webern that he experienced reprimands and threats from the official censorship authorities afterwards.
Ugorski’s interpretations are informed by his personal beliefs. An intrinsic aspect of his artistic personality is that he challenges audiences and critics to discourse; for example, his reading of the Arietta from Beethoven’s op. 111 stimulated scholarly discussion over his intense Larghissimo taking more time for the movement than almost all other interpreters. Some considered his tempo to be a wholehearted intellectual testing of the musical material, others were outraged by the freedom he took with his interpretation. Unaffected by such debates, Ugorski holds to the musico-philosophical mantra that there is no supreme interpretative rule or ‘definative’ interpretation, only the “truth of the moment.”
When it comes to biographical details, Ugorski has always been reluctant to provide personal details about himself. Why? “The music is more important.”
The first-ever collection of Anatol Ugorski’s complete recordings on Deutsche Grammophon.
Includes the first international release of his Scriabin Sonatas 2, 3, 5 & 9 as well as rare Chopin recordings.
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