Cleveland Orchestra, Royal Philharmonic Orchestra & Vladimir Ashkenazy - Prokofieff: Cinderella (1999)

  • 13 Jul, 21:20
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Title: Prokofieff: Cinderella
Year Of Release: 1999
Label: Decca
Genre: Classical, Orchestral
Quality: FLAC (image+.cue,log,scans)
Total Time: 149.30
Total Size: 646 MB
WebSite:

Tracklist:

Cinderella, complete ballet, Op. 87
Act I

01. 1. Introduction
02. 2. Shawl dance
03. 3. Cinderella
04. 4. The Father
05. 5. The Fairy Godmother
06. 6. The Sister's new clothes
07. 7. The dancing lesson
08. 8. Departue of the Stepmother and Sisters for the ball
09. 9. Cinderella dreams of the ball
10. 10. Gavotte
11. 11. Second appearence of the Fairy Godmother
12. 12. Spring Fairy
13. 13. Summer Fairy
14. 14. Grasshoppers and Dragonflies
15. 15. Autumn Fairy
16. 16. Winter Fairy
17. 17. The interrupted departure
18. 18. The clock
19. 19. Cinderella's departure for the ball
Act II
20. 20. Dance of the courtiers
21. 21. Court dance (Passepied)
22. 22. Cavaliers' dance (Bouree)
23. 23. Skinny's variation
24. 24. Dumpy's variation
25. 25. Dance of the courtiers (repeat)
26. 26. Mazurka and Entrance of the Prince
27. 27. Dance of the Prince's four companions
28. 28. Mazurka (repeat)
29. 29. Cinderella's arrival at the ball
30. 30. Grand Waltz
31. 31. Promenade
32. 32. Cinderella's dance
33. 33. Dance of the Prince
34. 34. Refreshments for the guests
35. 35. Duets of the Sisters with the oranges
36. 36. Duet of the Prince and Cinderella
37. 37. Waltz-Coda
38. 38. Midnight

CD2:

Cinderella, complete ballet, Op. 87 (cont.)
Act III

01. 39. The Prince & the Cobblers
02. 40. First galop of the Prince
03. 41. Temptation
04. 42. Second galop of the Prince
05. 43. Oriental Dance
06. 44. Third galop of the Prince
07. 45. Cinderella's wakening
08. 46. The Morning after the Ball
09. 47. The Prince's Visit
10. 48. The Prince recognises Cinderella
11. 49. Waltz
12. 50 Amoroso - The Prince & Cinderella
The Seasons
13. 1. Winter
14. 2. Spring
15. 3. Summer
16. 4. Autumn

Cleveland, Ohio, is a large port city on Lake Erie founded in 1796. Despite its large population of central European immigrants, it long lacked a full-time professional orchestra and relied mostly on visiting artists. In 1915 the Musical Arts Association (MAA) was founded to facilitate such concerts, but under the guidance of Adella Prentiss Hughes changed its mission to establishing a permanent orchestra. In 1918 the association hired Russian-American conductor Nikolai Sokoloff to bring together the new ensemble.

Its first concerts were given in Gray's Armory in downtown Cleveland. Sokoloff ambitiously planned an extensive touring schedule for the orchestra from the outset, and it visited many cities in the eastern United States and Canada, making a Carnegie Hall debut in New York in 1922. Thereafter it performed there annually, and maintained a high-profile reputation among orchestras of the American heartland.

In 1931, a permanent home for the orchestra was constructed thanks to a grant by John L. Severance, the MAA president, as a memorial to his wife, who had died unexpectedly. It has clear acoustic properties and a beautiful appearance and was designed with radio broadcasts in mind. Two music directors led the orchestra through the Depression and World War II eras: Artur Rodzinsky (1933-1943) and Erich Leinsdorf (1943-1946). A historical high point in Rodzinsky's tenure was the first American performance of Shostakovich's opera Lady Macbeth of Mtensk, one of the 15 fully staged opera productions Rodzinsky led with the orchestra in his decade of leadership.

The fourth music director, George Szell (1946-1970), made the Cleveland Orchestra into one of the most admired symphony orchestras in the world. His often merciless drilling polished it into an ensemble of unsurpassed precision. Under Szell's leadership, the orchestra expanded to 105 players, and its season went from 30 weeks to year-round, including a summer season at the Blossom Music Center in Cuyahoga Falls, OH. Radio station WCLV began its series of nationally broadcast Cleveland Orchestra concerts, now the longest-running such series in the USA.

Following Szell's retirement, Pierre Boulez served an interim period as music advisor (1970-1972). American conductor Lorin Maazel, was the orchestra's fourth music director (1972-1982), succeeded by Christoph von Dohnányi (1982-2002) and Franz Welser-Möst. The orchestra has maintained its admired precision while taking on a warmer sound under Maazel and Dohnányi. ~ Joseph Stevenson


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  • Thorsen
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Many Thanks!
  • jojo5
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Thanks a lot.