Sumi Jo, James Conlon - Prayers (2000)

  • 14 Aug, 09:10
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Artist:
Title: Prayers
Year Of Release: 2000
Label: Warner Music 8574-89269-2
Genre: Classical, Vocal
Quality: FLAC (image+.cue,log)
Total Time: 61:36
Total Size: 241 MB
WebSite:

Tracklist:

01. [Anonymous] Sometimes I Feel Like a Motherless Child (Spiritual)
02. [Giulio Caccini] Ave Maria (arr. Steven Mercurio)
03. [Wolfgang Amadeus Mozart] Laudate Dominum / Vesperae Solennes de Confessore K 339
04. [Gabriel Faure] Pie Jesu / Requiem
05. [Anonymous] Amazing Grace (Traditional)
06. [Frederick Loewe, Alan Jay Lerner] Say A Prayer for me Tonight / Gigi
07. [Charles Gounod] Sanctus / Messe Solennelle en L'honneur de Sainte Cecile
08. [Franz Schubert] Ave Maria
09. [Richard Strauss] Breit' über Mein Haupt / Op. 19 No. 2
10. [Giocchino Rossini] L'ora Fatal S'appressa... Giusto Ciel / L'assedio de Corinto (Pamira)
11. [Franz Schbert] Gott! Höre Meine Stimme! / Der Vierjahrige Posten D 190 (Kathchen)
12. [Gaetano Dinizetti] Preghiera di Maria / Maria Stuarda
13. [Johann Strauss II, Ralph Benayzky] Non's Chorus / Laura's Song / Casanova
14. [Zbigniew Preisner] Lacrimosa / Requiem for My Friend
15. [Leonard Bernstein] Take Care of This House 1600 Pennysylvania Avenia (Abigail Adams & Little Lud)
16. [Maurice Ravel] Kaddisch / Deux Mélodies Hébraïques

This program seems designed primarily to display soprano Sumi Jo's fabulous singing and famous stylistic eclecticism. However, it also exhibits an admirable religious inclusiveness, encompassing expressions of faith from the Latin liturgy to Negro spirituals; there is even a Richard Strauss song that is essentially a paean to love. An incongruous note is struck by a nun's song from an operetta by Benatzky that is a corny Viennese waltz and by a soundtracklike arrangement of a 16th-century Ave Maria. Ranging from Mozart to Broadway, this musical mix is held together by Sumi Jo's ravishingly beautiful, pure, warm voice and the way she can color and inflect it, and by her mastery of every style (though not every language; her German in particular is unintelligible). Her intonation is impeccable, her breath control incredible. Jo's top notes soar triumphantly, and she can sustain them indefinitely, with enough power left to make a crescendo at the end. Highlights include Ravel's "Kaddisch," which sends shivers down the spine; arias from operas by Rossini and Donizetti; and arias from sacred works by Gounod and Fauré. Of two spirituals, the second one is simpler and more convincing. The accompanying forces are excellent; James Conlon doubles as pianist when not conducting. Susan Graham also makes an appearance in the moving invocation "Take Care of This House" from Bernstein's


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