Sumi Jo - Only Bach (2014) [Hi-Res]

  • 18 Aug, 02:58
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Artist:
Title: Only Bach: Cantatas For Soprano, Violin & Guitar
Year Of Release: 2014
Label: Universal Music Ltd.
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:01:55
Total Size: 1.04 GB
WebSite:

Tracklist:

01. Aria “Vergnügen und Lust” from Cantata, BWV 197
02. Choral “Jesus bleibet meine Freude" from Cantata, BWV 147
03. Chorale Prelude: "Wachet auf, ruft uns die Stimme", BWV 645
04. Aria “Ich bin herrlich, ich bin schön” from Cantata, BWV 49
05. Aria “Mein gläubiges Herze” from Cantata, BWV 68
06. Ave Maria (Bach/Gounod)
07. Aria “Erbarme dich” from St Matthew passion, BWV 244
08. Aria “Bereite dir, Jesu, noch itzo die Bahn” from Cantata, BWV 147
09. Chorale Prelude: “Nun komm' der Heiden Heiland”, BWV 659
10. Aria “Liebster Jesu, mein Verlangen” from Cantata, BWV 32
11. Aria “Er segnet, die den Herrn fürchten” from Cantata, BWV 196
12. Chorale Prelude: “Ich ruf' zu dir, Herr Jesu Christ” BWV 639
13. Aria “Schafe können sicher weiden” from Cantata, BWV 208
14. Aria “Flößt, Mein Heiland” from Christmas Oratorio BWV 248
15. Bist du bei mir BWV 508

Performers:

Sumi Jo - soprano
Suyoen Kim - violin
Marco Socías - guitar
Christian Hommel - oboe

A coloratura soprano who in the late 1990s became one of the most noticed new names on the international operatic circuit, Sumi Jo was a discovery of the flamboyant German conductor Herbert von Karajan. A striking beauty, she owed her initial celebrity in part to video: the conductor arranged for her a prominent role in his Karajan in Salzburg video production.

Sumi Jo was born in Seoul, South Korea, in 1962. After studying both voice and piano from a young age, she dropped out of Seoul National University in 1983 to travel to Italy for study at the Accademia di Santa Cecilia in Rome. Among her teachers were Carlo Bergonzi and Grannila Bonelli. She graduated in 1985, with a concentration in keyboard as well as voice and over the next few years took top voice competition prizes in several countries, attracting the attention of Karajan. Her operatic debut came as Gilda in Verdi's Rigoletto in 1986, and two years later she performed in Un Ballo in Maschera under Karajan's baton. In the 1990s and early 2000s she was ubiquitous, singing in major capitals on nearly every continent. She won a Grammy award in 1993, and among her many recordings, her several portrayals of Mozart's vocally treacherous Queen of the Night in Die Zauberflöte have been especially noteworthy. In 2000, she began to see the fruits of Richard Bonynge's mentorship, refining her bel canto technique and preparing for a Carnegie Hall recital in February 2001. -- Rovi Staff

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