Aksak Maboul - Un Peu De L'ame Des Bandits (1980)

  • 30 Sep, 15:10
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Artist:
Title: Un Peu De L'ame Des Bandits
Year Of Release: 1980
Label: Crammed Discs
Genre: Avantgarde, Experimental, Prog Rock
Quality: 320 / FLAC (tracks)
Total Time: 50:40
Total Size: 117 / 321 Mb
WebSite:

Tracklist:

01. A Modern Lesson (5:00)
02. Palmiers En Pots (3:23)
03. Geistige Nacht (5:16)
04. I Viaggi Formano La Gioventu (5:10)
05. Inoculating Rabies (1:55)
06. Ce Qu'On Peut Voir Avec Un Bon Microscope (7:27)
07. Alluvions (5:26)
08. Azinou Crapules (7:05)
09. Age Route Brra! (2:55)
10. Bosses De Crosses (7:02)

The late '70s were a heady time in European progressive rock circles. Chris Cutler, drummer of the leading group Henry Cow and unrepentant leftist seeking to distance himself from both major-label and American rock influences, found similarly minded groups in France, Sweden, Belgium, and Italy, and brought them together for a British tour under the banner of Rock in Opposition (RIO). New musical influences and adventures gave rise to more short-term formations for Cutler and Fred Frith (Cow's guitarist), including this venture with a Belgian duo, Aksak Maboul, comprised at the time of Marc Hollander and Vincent Kenis. This group had recorded an album in 1977, Onze Danses Pour Combattre le Migraine, which became a cult album in its own right. As Aksak toured, their paths crossed with the various RIO groups, which led to this album in 1980. Cutler and Frith brought a solid rhythm section, but ready to make terrific noise when appropriate (as on the backing tracks of "Inoculating Rabies"). Michel Berckmans, wind player from Univers Zero (one of the Belgian RIO groups), and Hollander were the wind and reed section. Frank Wuyts and Denis Van Hecke rounded out the group on keyboards and strings. Stylistically, the album is all over the board. For example, the opening track, featuring Catherine Jauniaux on vocals, launches into a twisted blues number, with the singer freely improvising and trading licks with Van Hecke's cello and Hollander's sax. The second part of "A Modern Lesson" features extremely intricate horn writing, with different players rapidly trading different elements of the lines. "I Viaggi" uses a Middle Eastern scale, with cello and voice doubling the melody line. "Palmiersen Pots" is a classical piece for string trio, followed by a tango composed from several popular pieces cut up with scissors and reassembled at random. The album culminates with a long suite (originally all of side two on the vinyl release) based on a shorter arpeggiated figure, composed sections alternating with solos on bass, cello, electric cello, and synthesizer. On top of all of the great musicianship, Frith and lead engineer Etienne Conod performed significant studio wizardry after the sessions. "A Modern Lesson" contains sounds from a pinball machine as well as bits from every other track (and this is well before the age of samplers). The lead bassoon/oboe lines of "Inoculating Rabies" would be inaudible over the guitar and percussion noise in a live situation, but the contrast makes the piece. The CD reissue includes a track by a later Hollander/Kenis group, which unfortunately only magnifies the greatness of this Aksak Maboul lineup and this album, which remains a pinnacle of the RIO movement.




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  • tables
  •  19:58
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Holy Henry Cow! Dear 1977, you were more alive than I was back then.
Crammed Discs master Marc Hollander put together this band in ’77,
and this album originally came out in 1980, now released with
bonafide bonus work (see insert CD with vinyl)
“A Modern Lesson” is a Bo Diddley vs Les Georges Leningrand-standing
oddbop oddball. Followed by strings in syrup for “Palmiers en Pots”
which tangles itself into a tango of sorts, clarinets reminiscing
about the girl who got away when WWII hit. “Geistige Nacht” comes
along and it’s a sort of jazz-flecked prog instrumental. The curse
of diversity in full effect, along with a different language for
every song title so far. Next up an Italian title and a dry
drum and sahara-esque windswept vibe, plus either I’m hallucinating
or there’s an oasis filled with a Romanian maiden choir. “I Viaggio
Formano El Giaventu” snake-charmed by black heart the most so far.
Killer mesmerizing track! “Inoculating Rabies” rides a punk
railroad track with clarinet duet horns. “Microscope” is the
most “experimental” of the bunch, staining slides of sound
as microinstrumentals twitch under the glaring heat/light. Cools
off with vibes and electric piano after awhile (mandatory for any
flavor of “fusion”?) but kind of marches into some carnival
sounds. “Alluvions” has more of that prog-like, twitchy fusion
feel, but more comic, and some foley artist walking his horse
through the song. Clip clop and a fine Frith fretblast eventually.
Was there speaking in tongues on “Age Route Brra!”

Like sex in front of your pet (as depicted on the artwork) this album can
be a bit awkward but undeniably quite pleasurable, errm well, I’m guessing…
Shuck off your expectations, and enjoy.
  • Blaubart 1922
  •  20:39
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ᴹᴬᴺᵧ ᵀᴴᴬᴺᴷᵡ.·˙ཏ…\-