Lionel Richie - Just Go (2CD) (2009) Lossless
Artist: Lionel Richie
Title: Just Go
Year Of Release: 2009
Label: Island Def Jam Music Group
Genre: Pop, Soul, R&B
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:21:23
Total Size: 678 Mb
WebSite: Album Preview
Tracklist: Title: Just Go
Year Of Release: 2009
Label: Island Def Jam Music Group
Genre: Pop, Soul, R&B
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:21:23
Total Size: 678 Mb
WebSite: Album Preview
CD 1:
01. Forever (3:19)
02. Just Go (With Akon) (4:16)
03. Nothing Left to Give (With Akon) (3:32)
04. Forever and a Day (4:04)
05. I'm Not Okay (3:28)
06. Good Morning (4:06)
07. Through My Eyes (4:06)
08. I'm in Love (4:05)
09. Think of You (4:12)
10. Into You Deep (5:19)
11. Pastime (3:52)
12. Face in the Crowd (duet with Trijntje Oosterhuis) (4:21)
13. Somewhere in London (5:05)
14. Eternity (4:37)
Bonus CD:
01. Easy (Symphonica In Rosso 2008) (7:41)
02. Say You Say Me (Symphonica In Rosso 2008) (4:57)
03. Stuck On You (Symphonica In Rosso 2008) (4:44)
04. All Night Long (Symphonica In Rosso 2008) (5:33)
2006's Coming Home was Lionel Richie's most commercially successful release since 1986's Dancing on the Ceiling. It was the first time since then that one of the singer's albums peaked within the Top Ten of the Billboard 200 and Top R&B/Hip-Hop Albums charts. Much of its success could be attributed to "I Call It Love," a collaboration with StarGate. So, on Just Go, Richie's fourth studio set of the 2000s, he continues to work with StarGate and adds some of their hitmaking contemporaries, namely Akon and the duo of Terius "The-Dream" Nash and Christopher "Tricky" Stewart (Rihanna's "Umbrella," Beyoncé's "Single Ladies," the-Dream's own hits). The two Akon collaborations are dominated by Akon, who co-writes, co-produces, and gets co-performance credits on both. Even on "Nothing Left to Give," the album's festive, anthemic, percussion-stuffed song à la "All Night Long" -- there has been one on nearly every Richie album since Can't Slow Down on -- Akon unsurprisingly writes a lead that could have been voiced by him, from its cadence to the melodically restricted hook. Nash and Stewart are less heavy-handed on their four songs, tending to meet Richie half way with a soothing, modern frame work. In these songs, as well as the five featuring StarGate's input, Richie is much more at home. Introducing a 60-year-old artist to a younger audience with new material is asking for a lot, but Richie's devoted fanbase will find plenty to like. Just Go, slightly more so than Coming Home, tends to be a happy (and comforting) medium between Richie's familiar approach and contemporary R&B.