Mammal Hands - Becoming (2018)
Artist: Mammal Hands
Title: Becoming
Year Of Release: 2018
Label: Gondwana Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 16:53 min
Total Size: 100 MB
WebSite: Album Preview
Tracklist:Title: Becoming
Year Of Release: 2018
Label: Gondwana Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 16:53 min
Total Size: 100 MB
WebSite: Album Preview
1. Becoming
2. Refuge
3. Shimmer
Almost a year to the day since the release of their acclaimed third album Shadow Work, Mammal Hands share a new EP entitled Becoming.
Recorded from the same extensive studio sessions,Becoming is a seen as a brooding companion to third album Shadow Work, offering three new pieces self-produced by the trio. It opens with the bold title track Becoming, a hugely dynamic and diverse composition that begins with a rhythmical piano and saxophone line, building gradually with textural layers and flourishes before reaching a climatic end reminiscent of math-rock. It highlights the groups continued skill and playful ability to improvise and experiment with structure and mood.
“Becoming has a lot of different influences in it. The opening section has a hip-hop inspired feel, the middle section breaks into a more minimalist/electronic theme before cutting to a heavier/guttural feel for the last sections”reveal the trio.
Second track “Refuge” opens and closes with a calm and gentle melodic pattern led by the drums, evolving with subtle rhythmic saxophone lines before erupting into more explosive group playing, then returning to the melody and a place of calm. On tour it has often been the trio’s favoured live opening piece.
“This is a track we wrote together where we wanted to approach things in a slower, more harmony-driven way. We were trying to create an atmosphere where the listener is drawn in and then carried along with the movement of the piece. We felt that it provided a calm and gentle opening that we hoped would draw people into our world in a gentle way with something a bit mysterious and dark instead of a louder, more obvious opening statement”
Closing the EP is track ‘Shimmer’, a dark and moody piece where the piano and drums explore dark cinematic scenes and textures. With around an hour left whilst recording at 80 Hertz in Manchester, the trio decided to put down some final takes and making a deliberate decision to play and record their instruments at low volume. The result is a concluding piece that features a hypnotic extended section of piano soloing with repeated rhythmic patterns and minimalist style passages.
“Playing at such low volumes was a really nice way to bring out some of the more subtle colours of our sound”
The minimal artwork created by Daniel Halsall features three flying birds as a focal point which subtly encompasses the connection between Becoming and Shadow Work.
Hailing from Norwich, Mammal Hands (saxophonist Jordan Smart, pianist Nick Smartand drummer and percussionist Jesse Barrett) have carved out a refreshingly original sound from a disparatearray of influences, forging their own path away from the musical mainstream. Their hypnotic live shows have earned them a reputation as one of the most exciting bands on the touring circuit, as they continue to push the boundaries of their unique line-up to the outer limits of its possibilities.tbc
Recorded from the same extensive studio sessions,Becoming is a seen as a brooding companion to third album Shadow Work, offering three new pieces self-produced by the trio. It opens with the bold title track Becoming, a hugely dynamic and diverse composition that begins with a rhythmical piano and saxophone line, building gradually with textural layers and flourishes before reaching a climatic end reminiscent of math-rock. It highlights the groups continued skill and playful ability to improvise and experiment with structure and mood.
“Becoming has a lot of different influences in it. The opening section has a hip-hop inspired feel, the middle section breaks into a more minimalist/electronic theme before cutting to a heavier/guttural feel for the last sections”reveal the trio.
Second track “Refuge” opens and closes with a calm and gentle melodic pattern led by the drums, evolving with subtle rhythmic saxophone lines before erupting into more explosive group playing, then returning to the melody and a place of calm. On tour it has often been the trio’s favoured live opening piece.
“This is a track we wrote together where we wanted to approach things in a slower, more harmony-driven way. We were trying to create an atmosphere where the listener is drawn in and then carried along with the movement of the piece. We felt that it provided a calm and gentle opening that we hoped would draw people into our world in a gentle way with something a bit mysterious and dark instead of a louder, more obvious opening statement”
Closing the EP is track ‘Shimmer’, a dark and moody piece where the piano and drums explore dark cinematic scenes and textures. With around an hour left whilst recording at 80 Hertz in Manchester, the trio decided to put down some final takes and making a deliberate decision to play and record their instruments at low volume. The result is a concluding piece that features a hypnotic extended section of piano soloing with repeated rhythmic patterns and minimalist style passages.
“Playing at such low volumes was a really nice way to bring out some of the more subtle colours of our sound”
The minimal artwork created by Daniel Halsall features three flying birds as a focal point which subtly encompasses the connection between Becoming and Shadow Work.
Hailing from Norwich, Mammal Hands (saxophonist Jordan Smart, pianist Nick Smartand drummer and percussionist Jesse Barrett) have carved out a refreshingly original sound from a disparatearray of influences, forging their own path away from the musical mainstream. Their hypnotic live shows have earned them a reputation as one of the most exciting bands on the touring circuit, as they continue to push the boundaries of their unique line-up to the outer limits of its possibilities.tbc