Norman Beaker Band - Whos He Calling Me Him (2002)
Artist: Norman Beaker Band
Title: Whos He Calling Me Him
Year Of Release: 2002
Label: Delicious
Genre: Rock, Blues Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 47:16
Total Size: 115/306 Mb
WebSite: Album Preview
Title: Whos He Calling Me Him
Year Of Release: 2002
Label: Delicious
Genre: Rock, Blues Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 47:16
Total Size: 115/306 Mb
WebSite: Album Preview
Tracklist:
01. Girls Of The World
02. You Can Talk
03. Like I'm Not Your Man
04. When The Fat Lady Sings
05. Option On You Baby
06. I Can Let Go Now
07. Forever Blue
08. The Guitar Don't Lie
09. When Life Kicks You Around
10. Love Isn't Everything
11. Help Yourself
12. Here's To The Next Time
British Bluesman Norman Beaker, born Norman Hume in Manchester, England in 1950, is one of the very few who can claim to playing a role in creating the signature sound of an era when the devastation and deprivation of post-war Britain, particularly its northern cities, which found it's expression in America's most gritty musical tradition, The Blues. From the time he was a teenager Norman was at the nerve centre of the budding British Blues scene in its genesis, honing his skills with Graham Bond, Alexis Korner and other great artists of their calibre.
This set the stage for his later work playing and recording with a "Who's Who of Blues" from both sides of the Atlantic, such as Alexis Korner, Graham Bond, Jack Bruce, Tony Ashton, Paul Jones, Eric Burdon, Van Morrison, Chris Farlowe, Robert Plant, Chuck Berry, Buddy Guy, B.B. King, Jimmy Rogers, Peter Green, Lowell Fulson, Fenton Robinson, Carey Bell, Lurrie Bell, Jon Lord, James Booker, Mick Abrahams, Ruby Turner, Madeline Bell, Larry Garner ... and so many others. B.B. King said Norman was like "a white Freddie King", a compliment indeed. But though he's sometimes likened to Mr King and Peter Green, the source of his art is the wellspring of his own life and genius.
And yet, despite his distinguished history, Norman has always remained in the corner of the eye. The ultimate paradox of blues is that many of the most genuine blues musicians aren't widely known, simply because they personify the unpretentious and selfless spirit of the music itself. Though Mr Beaker never acquired a "big" name, he's the one that the most famous blues artists trusted, being as hardworking, humorous and good-natured as he is talented. His abilities as a superb frontman as well as his excellence as a backing musician is testimony to his integrity in serving the music rather than himself....
This set the stage for his later work playing and recording with a "Who's Who of Blues" from both sides of the Atlantic, such as Alexis Korner, Graham Bond, Jack Bruce, Tony Ashton, Paul Jones, Eric Burdon, Van Morrison, Chris Farlowe, Robert Plant, Chuck Berry, Buddy Guy, B.B. King, Jimmy Rogers, Peter Green, Lowell Fulson, Fenton Robinson, Carey Bell, Lurrie Bell, Jon Lord, James Booker, Mick Abrahams, Ruby Turner, Madeline Bell, Larry Garner ... and so many others. B.B. King said Norman was like "a white Freddie King", a compliment indeed. But though he's sometimes likened to Mr King and Peter Green, the source of his art is the wellspring of his own life and genius.
And yet, despite his distinguished history, Norman has always remained in the corner of the eye. The ultimate paradox of blues is that many of the most genuine blues musicians aren't widely known, simply because they personify the unpretentious and selfless spirit of the music itself. Though Mr Beaker never acquired a "big" name, he's the one that the most famous blues artists trusted, being as hardworking, humorous and good-natured as he is talented. His abilities as a superb frontman as well as his excellence as a backing musician is testimony to his integrity in serving the music rather than himself....