The Red Krayola - Soldier-Talk (Reissue) (1979/2007)
Artist: The Red Krayola
Title: Soldier-Talk
Year Of Release: 1979/2007
Label: Drag City
Genre: Art Rock, Experimental, Psychedelic Rock
Quality: APE (image, .cue, log)
Total Time: 35:51
Total Size: 233 Mb (scans)
WebSite: Album Preview
Title: Soldier-Talk
Year Of Release: 1979/2007
Label: Drag City
Genre: Art Rock, Experimental, Psychedelic Rock
Quality: APE (image, .cue, log)
Total Time: 35:51
Total Size: 233 Mb (scans)
WebSite: Album Preview
Tracklist:
01. March no. 12
02. On The Brink
03. Letter-Bomb
04. Conspirators Oath
05. March no. 14
06. Soldier Talk
07. Discipline
08. X
09. An Opposition Spokesman
10. Uh, Knowledge Dance
11. Wonderland
Line-up:
Jesse Chamberlain – drums
Mayo Thompson – vocals, guitar, production
Additional musicians:
Dick Cuthell – trumpet
Tom Herman – guitar
Scott Krauss - drums
Lora Logic – saxophone
Tony Maimone – bass guitar
Allen Ravenstine – keyboards
David Thomas – vocals
Red Krayola (formerly The Red Crayola) was a psychedelic experimental rock band from Houston, Texas, formed by art students at the University of St. Thomas (Texas) in 1966. The band was led by singer/guitarist and visual artist Mayo Thompson, along with drummer Frederick Barthelme (brother of novelist Donald Barthelme) and Steve Cunningham. Their work prefigured punk, post-punk, indie rock and the no wave scene in 1980s New York City.
They made noise rock, psychedelia and occasionally folk/country songs and instrumentals in a DIY fashion, an approach that presaged the lo-fi aesthetic of many 1990s US indie rock groups. Reviewing the band has produced conflicted results - in an extremely positive review from Pitchfork Media, critic Alex Lindhardt wrote "It's a band that has no idea how to play its instruments. In fact, they don't even know what instruments are, or if the guitarist has the ability to remain conscious long enough to play whatever it is a 'note' might be." He added, "This is a band that was paid ten dollars to stop a performance in Berkeley. If Berkeley's not having it, you know you're in for rough sledding."
Thompson has continued using the name, in its legally required permutation The Red Krayola, for his musical projects since.
They made noise rock, psychedelia and occasionally folk/country songs and instrumentals in a DIY fashion, an approach that presaged the lo-fi aesthetic of many 1990s US indie rock groups. Reviewing the band has produced conflicted results - in an extremely positive review from Pitchfork Media, critic Alex Lindhardt wrote "It's a band that has no idea how to play its instruments. In fact, they don't even know what instruments are, or if the guitarist has the ability to remain conscious long enough to play whatever it is a 'note' might be." He added, "This is a band that was paid ten dollars to stop a performance in Berkeley. If Berkeley's not having it, you know you're in for rough sledding."
Thompson has continued using the name, in its legally required permutation The Red Krayola, for his musical projects since.