Chantal Santon Jeffery, Galilei Consort & Benjamin Chénier - Stradella: Lagrime e sospiri (2017) [CD Rip]
Artist: Chantal Santon Jeffery, Galilei Consort & Benjamin Chénier
Title: Stradella: Lagrime e sospiri
Year Of Release: 2017
Label: Alpha Classics / Outhere Music France
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 58:05
Total Size: 277 MB
WebSite: Album Preview
Tracklist:Title: Stradella: Lagrime e sospiri
Year Of Release: 2017
Label: Alpha Classics / Outhere Music France
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 58:05
Total Size: 277 MB
WebSite: Album Preview
Moro per amore:
1. Overture
2. A Che Tardi a Morir, Misero Core
3. Furie Terribili
4. Col Mio Sangue Comprarei
San Giovanni Battista:
5. Overture
6. Deh Che Più Tardi... Queste Lagrime E Sospiri
Le Gare dell'Amore Eroico:
7. Overture
La Forza dell'Amor Paterno:
8. O Morire O Libertà
9. Ferma, Regina, Ascolta...Morirò
10. Presto, Corri Ad Armarti!...Non Vedi Che Giove
11. Lasso Che Feci
Santa Pelagia:
12. Overture
13. Strugge L'alma
14. Quanto Mi Alletta...Sono I Crini Aurati Stami
La Susanna:
15. Overture
16. Da Chi Spero Aita, O Cieli
The mythical life of Stradella, murdered on a Genoese piazza at the age of forty-two on the orders of a jealous rival in love, has inspired several novels and operas,
It is easy to imagine that Stradella’s hectic life provided the inspiration for the captivating female figures who abound in his output, exalted by technically redoubtable vocal writing, as exuberant and virtuosic as it can sometimes be sober and ethereal, and supported by remarkably skilled recitatives, a genuine verbal theatre that offers the singer infinite scope for expression.
From the demonic Salome to Ariadne, the model wife turned into a Fury by despair; from Pelagia, the repentant sinner who ends her days living in a cave disguised as a man, to Susanna, the very image of innocence and purity.
Chantal Santon embodies a series of portraits of women whom all have their turn with all her artistry, her intimate knowledge of this repertory and her sense of theatre.
It is easy to imagine that Stradella’s hectic life provided the inspiration for the captivating female figures who abound in his output, exalted by technically redoubtable vocal writing, as exuberant and virtuosic as it can sometimes be sober and ethereal, and supported by remarkably skilled recitatives, a genuine verbal theatre that offers the singer infinite scope for expression.
From the demonic Salome to Ariadne, the model wife turned into a Fury by despair; from Pelagia, the repentant sinner who ends her days living in a cave disguised as a man, to Susanna, the very image of innocence and purity.
Chantal Santon embodies a series of portraits of women whom all have their turn with all her artistry, her intimate knowledge of this repertory and her sense of theatre.
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